Così fan tutte (2013)
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Director: Hannes Rossacher
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Sylvain Cambreling as Self - Conductor |
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Anett Fritsch as Fiordiligi |
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Paola Gardina as Dorabella |
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Juan Francisco Gatell as Ferrando |
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Andreas Wolf as Guglielmo |
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Kerstin Avemo as Despina |
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William Shimell as Don Alfonso |
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Michael Haneke as Self - Mise en scène |
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Wolfgang Amadeus Mozart as Self - Composer |
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Coro del Teatro Real de Madrid as Self - Chorus |
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Orquestra del Teatro Real de Madrid as Self - Orchestra |
| Writing | Lorenzo da Ponte | Writer |
| Sound | Wolfgang Amadeus Mozart | Original Music Composer |
| Directing | Hannes Rossacher | Director |
| Directing | Michael Haneke | Stage Director |
