Narrow Margin (1990)
An L.A. District Attorney attempts to take an unwilling murder witness back to the United States to testify against a top-level mob boss. Frantically attempting to escape two deadly hitmen sent to silence her, they board a Vancouver-bound train only to discover that the killers are onboard with them. For the next 20 hours, as the train hurls through the beautiful but isolated Canadian wilderness, a deadly game of cat and mouse ensues in which their ability to tell friend from foe is a matter of life and death.
Director:
Peter Hyams
Writer:
Earl Felton
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Gene Hackman as Robert Caulfield |
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Anne Archer as Carol Hunnicut |
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James B. Sikking as Nelson |
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Harris Yulin as Leo Watts |
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J.T. Walsh as Michael Tarlow |
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M. Emmet Walsh as Sergeant Dominick Benti |
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Susan Hogan as Kathryn Weller |
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Nigel Bennett as Jack Wootton |
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J.A. Preston as Martin Larner |
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B.A. 'Smitty' Smith as Keller |
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Codie Lucas Wilbee as Nicholas |
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Barbara Russell as Nicholas' Mother |
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Antony Holland as Elderly Man |
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Doreen Ramos as Elderly Woman |
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Kevin McNulty as James Dahlbeck |
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Andrew Rhodes as Nigro |
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Lon Katzman as Loughlin |
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Dana Still as Bellman With Message |
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Lesley Ewen as Larner's Secretary |
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Barney O'Sullivan as Ticket Agent |
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Natino Bellantoni as Bartender |
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Ted Stidder as Conductor #1 |
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Lindsay Bourne as Club Car Waiter |
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Robert Rozen as Dining Car Waiter |
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Tom McBeath as Conductor #2 |
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Ron Cummins as Hotel Valet |
| Directing | Peter Hyams | Director |
| Writing | Earl Felton | Screenplay |
| Directing | Robert Lee | Second Assistant Director |
| Sound | Neal Burger | Sound Editor |
| Crew | Glenn R. Wilder | Stunt Coordinator |
| Crew | Melissa R. Stubbs | Stunt Double |
| Sound | Michael J. Kohut | Sound Re-Recording Mixer |
| Crew | Curtis Lupo | Stunts |
| Editing | Beverly Pinnas | First Assistant Editor |
| Sound | Per Hallberg | Assistant Sound Editor |
| Sound | Karen Baker Landers | Assistant Sound Editor |
| Crew | Denny Arnold | Stunts |
| Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Crew | Gar Stephen | Stunts |
| Crew | Lon Katzman | Stunts |
| Crew | Doc Duhame | Stunts |
| Crew | Scott Nicholson | Stunts |
| Art | David Willson | Supervising Art Director |
| Production | Yvonne Melville | Assistant Production Coordinator |
| Crew | Amy Stephen Wilder | Stunts |
| Camera | John Hyams | Grip |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | John Brilhante | Sound Recordist |
| Production | Judith French | Assistant Accountant |
| Sound | Dan Sharp | Sound Recordist |
| Directing | Lisa Weinstein | Third Assistant Director |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Production | Don Orlando | Production Accountant |
| Production | Penny Gibbs | Production Office Coordinator |
| Production | Jonathan A. Zimbert | Producer |
| Editing | James Mitchell | Editor |
| Production | Mary Eilts | Associate Producer |
| Camera | Rick Stadder | Dolly Grip |
| Lighting | Dale 'Tiny' Garrison | Rigging Gaffer |
| Sound | Tom Bellfort | Supervising Sound Editor |
| Camera | Peter Hyams | Director of Photography |
| Art | Joel Schiller | Production Design |
| Camera | Ralph Gerling | Camera Operator |
| Costume & Make-Up | Jerry R. Allen | Costumer |
| Production | Andrew G. Vajna | Executive Producer |
| Camera | Nick Kuchera | Key Grip |
| Camera | Steve Peterson | First Assistant Camera |
| Production | Jerry Offsay | Co-Producer |
| Writing | Martin Goldsmith | Original Story |
| Sound | Douglas Greenfield | Dolby Consultant |
| Art | Kim MacKenzie | Set Decoration |
| Art | Wayne McLaughlin | Property Master |
| Production | Lynne Carrow | Casting |
| Crew | Steve Wolke | Special Effects Assistant |
| Crew | Guy Faria | Special Effects Assistant |
| Art | Kim Mooney | Art Direction |
| Crew | Kevin Quibell | Special Effects Assistant |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Costume & Make-Up | Dolores Burke | Costumer |
| Camera | Jack Rowand | Still Photographer |
| Lighting | Les Erskine | Chief Lighting Technician |
| Writing | Jack Leonard | Original Story |
| Art | Eric W. Orbom | Art Direction |
| Camera | Robin Jobin | Best Boy Grip |
| Production | Mario Kassar | Executive Producer |
| Crew | Dan Moore | Video Assist Operator |
| Camera | Adam Sliwinski | Camera Trainee |
| Art | Phil Gough | Assistant Property Master |
| Crew | Stan Parks | Special Effects Coordinator |
| Costume & Make-Up | Roy Sidick | Hairstylist |
| Production | James Forsyth | Extras Casting |
| Production | Mary Eilts | Unit Production Manager |
| Directing | Jack Frost Sanders | First Assistant Director |
| Camera | Nathaniel Massey | Steadicam Operator |
| Camera | Pat Williams | Second Assistant Camera |
| Crew | Scott Wilder | Stunt Coordinator |
| Sound | Dan M. Rich | Sound Editor |
| Writing | Peter Hyams | Writer |
| Sound | Kevin Hearst | Sound Editor |
| Sound | Curt Sobel | Music Editor |
| Editing | Bob Kaiser | Color Timer |
| Costume & Make-Up | Margaret Solomon | Makeup Artist |
| Art | Michael Rennison | Construction Foreman |
| Sound | Scott Martin Gershin | Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Mark McKenzie | Orchestrator |
| Sound | Don Brown | Boom Operator |
| Art | Gary Brooks | Head Greensman |
| Crew | Brigitte Prochaska | Unit Publicist |
| Sound | Don Nemitz | Orchestrator |
| Crew | Roger Lifsey | Special Effects Assistant |
| Sound | Armin Steiner | Scoring Mixer |
| Directing | Lara Fox | Script Supervisor |
| Sound | Doc Kane | Foley Mixer |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Ralph Parker | Production Sound Mixer |
| Crew | Fred Moroz | Transportation Captain |
| Crew | Alois Stranan | Transportation Coordinator |
| Production | Adam Druxman | Production Assistant |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Sound | Bruce Broughton | Original Music Composer |
| Production | James Sallis | Location Manager |
