The End of Love (1961)
A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.
Director: Eizō Yamagiwa
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Kōji Matsubara as Kenji Nomura |
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Mitsuko Sawamura as Yuri |
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Terumi Hoshi as Michi Makino |
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Takashi Fujiki as Yoji Nakaoka |
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Yūko Kashiwagi as Akemi |
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Namiji Namiura as Noriko |
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Harue Tone as Michi's mother |
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Fumiko Miyata as Nurse |
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Masami Akimoto as Akiko |
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Akira Nakamura as Michi's father |
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Yoji Naruto as |
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Hiroshi Inoue as Singer |
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Akemi Nara as Makiko Kawamura |
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Yūji Hori as |
| Production | Akira Sagawa | Executive Producer |
| Directing | Eizō Yamagiwa | Director |
| Writing | Masami Akimoto | Original Story |
| Sound | Hikaru Hayashi | Original Music Composer |
| Camera | Kiminao Okada | Director of Photography |