The Painting (1972)
The Painting intercuts shots of traffic navigating the old-world remnants of downtown Bern, Switzerland, with details from a 15th-century altarpiece, “The Martyrdom of St. Hippolytus”. The painting shows the calm, near-naked saint in a peaceful landscape, a frozen moment before four horses tear his body to pieces while an audience of soigné nobles look on; in the movie’s revised version, Beavers gives it a comparably rarefied psychodramatic jolt, juxtaposing shots of Gregory Markopoulos, bisected by shafts of light, with a torn photo of himself and the recurring image of a shattered windowpane.
Director: Robert Beavers
 |
Gregory J. Markopoulos as |
| Directing | Robert Beavers | Director |
| Crew | Robert Beavers | Cinematography |
| Editing | Robert Beavers | Editor |
| Costume & Make-Up | Gladyris Silva | Costume Design |
