Candy Regentag (1989)
Flesh and fantasy fill the nights of the call girls at Bambi’s, a flashy back street brothel. Join Bambi, Candy and the girls for an evening or two and find out what happens in the violent world of sex for sale. Candy is new to the business. She follows all of the rules of the house - she arrives on time, doesn’t take drugs, is polite to customers, and numb to all the men who used her. Then she meets Reg and breaks the most important rule - don’t fall in love with one of your customers. Their first encounter leaves her longing to see him again. She fantasizes about the love they share and how idyllic their life together would be. But the facts are clear. Candy is a hooker and she will never be a real part of his world … she’s one of Bambi’s girls. She has seen his life and felt his love, a brief glimpse is all she’ll ever have, KISS THE NIGHT!
Director: James Ricketson
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Patsy Stephen as Candy |
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Warwick Tennant Moss as Reg |
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Toni Scanlan as Gail |
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John Polson as Cyril |
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Basil Clarke as George |
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Gary Aron Cook as Ian |
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Maxine Klibingaitis as Bibi |
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Aussie Merciadez as Veronica |
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Rainee Skinner as Fleur |
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Jacquy Phillips as Wendy |
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Beth Child as Lola |
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Pete Smith as Clayton |
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Christopher Lewis as Phil |
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Imogen Annesley as Sascha |
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Arky Michael as Franky |
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Lorenzo Arolio as Mario |
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James Lugton as Greg |
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Christopher Truswell as Leo |
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Peter Armstrong as Doorman |
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Dan Holliday as Chris |
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Garry Who as Can You Feel It |
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John Ley as Client with Knife |
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David Ritchie as Drunk |
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Steve Tripp as Street Poet |
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Jim Pennell as Restaurant Guitarist |
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Lee Biolos as Waiter |
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Susie Egan as Escort Girl |
| Costume & Make-Up | Suzy Carter | Costume Design |
| Production | Graeme Isaac | Producer |
| Production | Brenda Pam | Production Manager |
| Sound | Nigel Westlake | Music |
| Costume & Make-Up | Annie Heathcote | Makeup Artist |
| Directing | Peter Kearney | Second Assistant Director |
| Editing | Tony Stevens | Editor |
| Sound | Ashley Grenville | Sound Re-Recording Mixer |
| Production | Alison McClymont | Production Assistant |
| Sound | Ross Linton | Sound Recordist |
| Visual Effects | Roger Cowland | Visual Effects |
| Production | Michael Lynch | Casting Consultant |
| Production | Don Catchlove | Executive Producer |
| Sound | Phil Colson | Music |
| Lighting | Rob Park | Electrician |
| Editing | Dominique Fusy | Assistant Editor |
| Sound | Kevin St. Alder | Assistant Sound Editor |
| Sound | Catherine Gross | Boom Operator |
| Sound | Ashley Grenville | Sound Editor |
| Camera | Bliss Swift | Still Photographer |
| Directing | John Warran | First Assistant Director |
| Camera | Paula South | Clapper Loader |
| Camera | Ian McAlpine | Assistant Grip |
| Camera | Maani Petgar | Still Photographer |
| Camera | Michael Edols | Director of Photography |
| Art | Fran Holloway | Set Dresser |
| Lighting | Phil Golombick | Gaffer |
| Directing | Sian Fatouros | Continuity |
| Production | Jo Rooney | Production Coordinator |
| Art | Rob Ricketson | Production Design |
| Sound | Julian Ellingworth | Sound Mixer |
| Production | Eddie Prylinski | Location Manager |
| Lighting | Paul Johnstone | Best Boy Electric |
| Camera | Chris Cain | Focus Puller |
| Costume & Make-Up | Sherry Hubbard | Assistant Makeup Artist |
| Camera | Grahame Litchfield | Key Grip |
| Production | Dianne Brown | Production Accountant |
| Directing | James Ricketson | Director |
| Writing | Don Catchlove | Writer |
| Sound | Antonio Lauro | Songs |