Fluidø (2017)
It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.
Director: Shu Lea Cheang
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Candy Flip as Natasha |
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Bishop Black as Hans / Alexei |
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Kristina Marlen as Eva |
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William E. Morris as DI for Diva |
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Alexander Geist as Levi |
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Aérea Negrot as Dat Queen |
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António Onio as Pedro |
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Sadie Lune as DPT |
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Salty Chéri as Pissing Wall Junkie |
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Caprice Crawford as Madame X |
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Walter Crasshole as |
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Kay Garnellen as |
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Grey Brook as |
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Maren Kroymann as |
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Theo Meow as |
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Alexander Mersmann as |
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Iulia Mitzner as |
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Finn Peaks as |
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Eric Pussyboy as |
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Kanchi Wichmann as |
| Production | Jürgen Brüning | Producer |
| Editing | Jörn Hartmann | Editor |
| Production | Sonja Klumper | Producer |
| Production | Paulita Pappel | Producer |
| Directing | Shu Lea Cheang | Director |
| Writing | Shu Lea Cheang | Writer |
| Sound | Aérea Negrot | Music |
| Camera | James Carman | Director of Photography |
| Production | Shu Lea Cheang | Producer |
| Production | Stephan Holl | Co-Producer |
| Production | Maren Kroymann | Co-Producer |
| Production | Claus Matthes | Co-Producer |
