Hole in the Moon (1964)
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
Director: Uri Zohar
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Uri Zohar as |
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Arik Lavie as |
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Shmulik Kraus as |
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Israel Gurion as |
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Shaike Ophir as |
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Shoshik Shani as |
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Avraham Heffner as |
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Shoshana Shani-Lavie as |
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Zeev Berlinsky as |
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Yael Aviv as |
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Amos Avni as |
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Dahn Ben Amotz as |
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Christiane Dancourt as |
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Daphna Eilat as |
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Zaharira Harifai as |
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Yechezkel Ish Kasit as |
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Iche Mambush as |
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Bomba Tzur as |
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Shlomo Vishinsky as |
| Production | Avraham Deshe | Producer |
| Production | Mordecai Navon | Producer |
| Directing | Uri Zohar | Director |
| Writing | Amos Kenan | Writer |
| Production | Amatsia Hiuni | Production Accountant |
| Camera | David Gurfinkel | Director of Photography |
| Sound | Michel Colombier | Original Music Composer |