Cu da Mãe (1969)
The film’s opening shot presents us with a naked ass, adorned only with a bit of confetti and two 3x4 photographs placed side by side. Other images soon appear in rapid succession, with the image of a contracting anus standing out among them. It is a radical, experimental film that uses scatology to question cinematic identification.
Director: Sebastião de Souza
 |
Hélcio Monteiro Cremonese as |
| Camera | Antônio Muramatsu | Director of Photography |
| Editing | Maria Guadalupe | Editor |
| Sound | Rogério Duprat | Original Music Composer |
| Directing | Sebastião de Souza | Director |
