The Mark of Cain (2001)
The fading art form and ‘language’ of Russian criminal tattoos, formerly a forbidden topic in Russia. The now vanishing practice is seen as reflecting the transition of the broader Russian society. Filmed in some of Russia’s most notorious prisons, including the fabled White Swan, the interviews with prisoners, guards, and criminologists reveal the secret language of “The Zone” and “The Code of Thieves” (Vor v zakone).
Director: Alix Lambert
| Directing | Alix Lambert | Director |
| Sound | Andrei Popovian | Sound |
| Sound | Damon Locks | Music |
| Production | Robert Bingham | Executive Producer |
| Editing | David Ritsher | Editor |
| Sound | Wayne Montana | Music |
| Production | Tony Pemberton | Line Producer |
| Crew | Anastasi Mikhailov | Cinematography |
| Production | Althea Wasow | Associate Producer |
| Production | Alix Lambert | Producer |
| Production | Elena Cherkassova | Production Manager |
| Production | Gregor Clark | Producer |
| Production | Roberto Edwards | Executive Producer |
| Production | Lalou Dammond | Producer |
| Production | Anne Feinsilber | Co-Producer |
| Crew | Irina Pettengill | Translator |
| Crew | Nathan Pettengill | Translator |
| Production | Konstantin Yevgienko | Production Consultant |
