Seven Days to Noon (1950)
When Professor Willingdon becomes wary of the nuclear weapons he is helping build, he steals a warhead and threatens to detonate it in London in seven days unless the government begins nuclear disarmament. As Willingdon goes into hiding, Detective Folland of Scotland Yard sets out to find him. Willingdon's daughter Ann also joins the cause, hoping she can talk sense into her father before he causes a catastrophe.
Directors:
Roy Boulting, John Boulting.
Writers:
Roy Boulting, Frank Harvey.
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Barry Jones as Professor John Malcolm Francis Willingdon |
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André Morell as Superintendent G.W. Folland |
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Olive Sloane as Goldie Phillips |
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Sheila Manahan as Ann Willingdon |
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Hugh Cross as Stephen Lane |
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Joan Hickson as Mrs. Emily Georgina Peckett |
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Ronald Adam as Arthur Lytton, the Prime Minister |
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Marie Ney as Mrs. Willingdon |
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Joss Ackland as Station Policeman |
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Marianne Stone as Woman in Phone Box |
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John Stratton as Army Mechanic |
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George Spence as Man on Bus (uncredited) |
| Camera | Dennis Fox | Camera Operator |
| Sound | Bert Ross | Sound Recordist |
| Art | John Elphick | Production Design |
| Directing | Mike Johnson | Assistant Director |
| Editing | John Boulting | Editor |
| Production | John Palmer | Production Manager |
| Editing | Roy Boulting | Editor |
| Sound | Hubert Clifford | Conductor |
| Camera | Ray Sturgess | Camera Operator |
| Camera | Robert Huke | Camera Operator |
| Costume & Make-Up | U. P. Hutchinson | Makeup Artist |
| Sound | Ann Chegwidden | Assistant Sound Editor |
| Production | Peter De Sarigny | Associate Producer |
| Camera | Gerald Moss | Camera Operator |
| Sound | Bert Eggleton | Sound Editor |
| Directing | Roy Boulting | Director |
| Directing | John Boulting | Director |
| Sound | John Addison | Original Music Composer |
| Writing | James Bernard | Story |
| Writing | Paul Dehn | Story |
| Production | John Boulting | Producer |
| Production | Dorothy Holloway | Casting |
| Production | Roy Boulting | Producer |
| Costume & Make-Up | Honoria Plesch | Costume Design |
| Camera | Gilbert Taylor | Director of Photography |
| Writing | Roy Boulting | Screenplay |
| Directing | Shirley Barnes | Continuity |
| Writing | Frank Harvey | Screenplay |
| Sound | Eric Cass | Boom Operator |
