Lola Montez, the King’s Dancer (1922)
Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.
Director: Willi Wolff
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Ellen Richter as Lola Montez |
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Georg Alexander as Studiosus Ludwig von Hirschberg |
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Heinrich George as Don Miguel |
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Max Gülstorff as Journalist Beauvallion |
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Hans Junkermann as Hoftheaterintendant |
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Fritz Kampers as Lieutenant Nussbaum |
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Rudolf Meinhard-Jünger as |
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Herbert Paulmüller as |
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Hermann Picha as |
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Wilhelm Diegelmann as |
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Julius Falkenstein as |
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Ernst Pittschau as Studiosus Peisner |
| Writing | Willi Wolff | Writer |
| Crew | Arpad Viragh | Cinematography |
| Directing | Willi Wolff | Director |
| Writing | Paul Merzbach | Writer |