Glaube, Liebe, Hoffnung (1994)
Portrait of a group of skinheads, some politically left wing, others extremely right wing. One feels the cold atmosphere of the society. The film was controversial. It was praised by some for its inside into the skinhead scene, but attacked by others for giving these radicals a platform for their arguments. Even more confusing were the images in its brilliant black-and-white cinematography.
Director: Andreas Voigt
| Directing | Andreas Voigt | Director |
| Writing | Andreas Voigt | Writer |
| Editing | Angela Wendt | Editor |
| Camera | Sebastian Richter | Director of Photography |
