Await Further Instructions (2018)
A dysfunctional family awake on Christmas morning to discover they’re sealed inside their house by a mysterious black substance. On television, a single line of text reads: “Stay Indoors and Await Further Instructions.”
Director: Johnny Kevorkian
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David Bradley as Grandad |
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Abigail Cruttenden as Beth |
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Holly Weston as Kate |
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Sam Gittins as Nick |
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Grant Masters as Tony |
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Neerja Naik as Annji |
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Kris Saddler as Scott |
| Production | Kirsty Bell | Executive Producer |
| Production | Paul Ward | Executive Producer |
| Production | Geoff Isles | Executive Producer |
| Production | David Rogers | Executive Producer |
| Production | Jason Garrett | Executive Producer |
| Camera | Jason Wingrove | Focus Puller |
| Art | Archie Knowles | Construction Manager |
| Crew | Kate Wright | Post Production Supervisor |
| Editing | Matthew Troughton | Colorist |
| Sound | Duncan McAllister | Foley Recordist |
| Art | Laura Hiscoke | Art Department Assistant |
| Visual Effects | Yvette Yang | Visual Effects Coordinator |
| Costume & Make-Up | Rosie Gaunt | Costume Assistant |
| Editing | Ben Nugent | Additional Editing |
| Camera | Steve Maries | First Assistant "B" Camera |
| Costume & Make-Up | Charlie Poole | Costume Supervisor |
| Camera | Sarah Mahoney | Clapper Loader |
| Camera | Evangeline Perkins | Camera Trainee |
| Crew | Scott McIntyre | Pyrotechnician |
| Lighting | Dan Chaytor | Gaffer |
| Crew | Greg Day | Unit Publicist |
| Sound | Andy Walker | Dialogue Editor |
| Costume & Make-Up | Stephanie Lalley | Makeup & Hair |
| Sound | Richard Lewis | Sound Re-Recording Mixer |
| Directing | Paul Elkins | First Assistant Director |
| Camera | Mike Myshko | Digital Imaging Technician |
| Crew | Eddy Popplewell | Pyrotechnician |
| Visual Effects | Ben Louden | Visual Effects Supervisor |
| Sound | Mike Duddy | Boom Operator |
| Art | Rosalind Boulton | Standby Art Director |
| Production | Thomas Darby-Evans | Production Coordinator |
| Sound | Blair Slater | Foley Supervisor |
| Sound | Blair Slater | Foley Editor |
| Directing | Christi Elkins | Third Assistant Director |
| Editing | Ángel Zapatero | Assistant Editor |
| Production | Eddie Kane | Production Accountant |
| Camera | Sarah Deane | "B" Camera Operator |
| Camera | Richi Holt | Key Grip |
| Camera | Robert Etherson | Grip |
| Sound | Matt Daniel | Production Sound Mixer |
| Sound | Zane Hayward | Supervising Sound Editor |
| Directing | Hannah Kenneally-Muir | Script Supervisor |
| Directing | Chris Linton | Second Assistant Director |
| Camera | Paul Stephenson | Still Photographer |
| Production | Katie Bleakley | Production Manager |
| Sound | Kian McClure | Boom Operator |
| Art | Christian Hicks | Set Decoration |
| Directing | Johnny Kevorkian | Director |
| Writing | Gavin Williams | Writer |
| Camera | Annika Summerson | Director of Photography |
| Production | Jack Tarling | Producer |
| Costume & Make-Up | Kate Medland | Makeup Artist |
| Sound | Richard Wells | Original Music Composer |
| Editing | Richard Smither | Editor |
| Costume & Make-Up | Georgina Napier | Costume Design |
| Costume & Make-Up | Lisa Parkinson | Makeup Designer |
| Production | Alan Latham | Producer |
| Art | Kate Stamp | Art Direction |
| Crew | Dan Martin | Special Effects |
| Production | Manuel Puro | Casting |
| Art | Niina Topp | Production Design |
| Production | Gary Collins | Executive Producer |
| Sound | George Strezov | Conductor |
