So weit das Auge reicht (1980)
Robert, a masseur who is hard of hearing, is unaware that he has inherited millions. Four people want to take it from him: stockbroker Kuhl, his employee Späh and their friends Anna and Iris. Späh wants his girlfriend Iris to marry Robert in America in order to get half of the money. After a murder that Späh commits, but of which Robert seems suspicious, Robert actually flees to America, but not with Iris, but with Anna, who has since gotten wind of the affair. Robert and Anna marry in Las Vegas, and it is only back in Munich that Robert finds out about his inheritance. Robert leaves Anna, Späh shoots Kuhl and there is a showdown between Robert and Späh on a French island.
Director: Erwin Keusch
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Bernd Tauber as Robert Lueg |
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Aurore Clément as Anna Aurey |
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Jürgen Prochnow as Alexander Späh |
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Hans-Michael Rehberg as Richard Kuhl |
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Werner Kreindl as Dr. Lauscher |
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Claus-Dieter Reents as Leo Kamper |
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Antonia Reininghaus as Iris |
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Klaus Fuchs as Dr. Klar |
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Hans J. Spurkel as Zimmermann |
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Franz Bauer as Patient |
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Filippo Haas as Receptionist |
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Harry Ward as Priest |
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Angelika Kraml as Janitor |
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Bernhard Janosévic as Translator |
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Richard Smith as |
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Gordon Gust as |
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Helmut Eichmeir as |
| Camera | Dietrich Lohmann | Director of Photography |
| Editing | Bettina Lewertoff | Editor |
| Writing | Erwin Keusch | Writer |
| Costume & Make-Up | Ellen Eckelmann | Dresser |
| Camera | Norbert Wiedmer | Assistant Camera |
| Lighting | Wolfgang Dell | Lighting Technician |
| Sound | Vladimír Vízner | Sound |
| Camera | Alfred Tichawsky | Second Assistant Camera |
| Art | Rudolf Thiele | Construction Coordinator |
| Costume & Make-Up | Evelyn Döhring | Makeup Artist |
| Art | Peter Hippert | Title Designer |
| Production | Margaret Ménégoz | Co-Producer |
| Sound | Osman Ragheb | Dialogue Editor |
| Editing | Romy Schumann | Assistant Editor |
| Lighting | Kenni Howerton | Gaffer |
| Sound | Stanislav Litera | Sound Assistant |
| Production | Renate Seefeldt | Production Accountant |
| Lighting | Hans Dreher | Gaffer |
| Camera | Klaus Bartels | Second Assistant Camera |
| Sound | Mel Kutbay | Foley Artist |
| Art | Franz Bauer | Property Master |
| Costume & Make-Up | Claudia Bobsin | Costume Designer |
| Camera | Mina Kinal | Still Photographer |
| Lighting | Wolfgang Geiger | Lighting Technician |
| Costume & Make-Up | Gerhard Nemetz | Assistant Makeup Artist |
| Lighting | Jürgen Bauer | Lighting Technician |
| Directing | Doris Dörrie | Assistant Director |
| Production | Nicole Front | Unit Manager |
| Production | Toni Stricker | Co-Producer |
| Directing | Doris Dörrie | Continuity |
| Sound | Gisela Winkel | Sound Editor |
| Sound | Michael Etz | Sound Assistant |
| Sound | Milan Bor | Sound Mixer |
| Camera | Michael Zens | Focus Puller |
| Art | Günther Rischkopf | Property Master |
| Directing | Ursula Jeshel | Continuity |
| Art | Rüdiger Höhn | Construction Coordinator |
| Production | Fatima Igramhan | Unit Manager |
| Art | Winfried Hennig | Production Design |
| Production | Edi Hubschmid | Associate Producer |
| Directing | Ursula Jeshel | Assistant Director |
| Production | Klaus Keil | Production Manager |
| Production | Willi Segler | Producer |
| Production | Erwin Keusch | Producer |
| Production | Arno Ortmair | Unit Manager |
| Production | Stefan Hutter | Producer |
| Sound | Axel Linstädt | Original Music Composer |
| Production | Fred Berger | Unit Manager |
| Directing | Erwin Keusch | Director |
