So weit das Auge reicht (1980)
Robert, a masseur who is hard of hearing, is unaware that he has inherited millions. Four people want to take it from him: stockbroker Kuhl, his employee Späh and their friends Anna and Iris. Späh wants his girlfriend Iris to marry Robert in America in order to get half of the money. After a murder that Späh commits, but of which Robert seems suspicious, Robert actually flees to America, but not with Iris, but with Anna, who has since gotten wind of the affair. Robert and Anna marry in Las Vegas, and it is only back in Munich that Robert finds out about his inheritance. Robert leaves Anna, Späh shoots Kuhl and there is a showdown between Robert and Späh on a French island.
Director: Erwin Keusch
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Bernd Tauber as Robert Lueg |
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Aurore Clément as Anna Aurey |
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Jürgen Prochnow as Alexander Späh |
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Hans-Michael Rehberg as Richard Kuhl |
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Werner Kreindl as Dr. Lauscher |
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Claus-Dieter Reents as Leo Kamper |
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Antonia Reininghaus as Iris |
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Klaus Fuchs as Dr. Klar |
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Hans J. Spurkel as Zimmermann |
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Franz Bauer as Patient |
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Filippo Haas as Receptionist |
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Harry Ward as Priest |
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Angelika Kraml as Janitor |
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Bernhard Janosévic as Translator |
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Richard Smith as |
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Gordon Gust as |
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Helmut Eichmeir as |
| Camera | Dietrich Lohmann | Director of Photography |
| Editing | Bettina Lewertoff | Editor |
| Writing | Erwin Keusch | Writer |
| Sound | Osman Ragheb | Dialogue Editor |
| Art | Peter Hippert | Title Designer |
| Camera | Norbert Wiedmer | Assistant Camera |
| Sound | Gisela Winkel | Sound Editor |
| Sound | Vladimír Vízner | Sound |
| Production | Edi Hubschmid | Associate Producer |
| Art | Rudolf Thiele | Construction Coordinator |
| Costume & Make-Up | Evelyn Döhring | Makeup Artist |
| Costume & Make-Up | Claudia Bobsin | Costume Designer |
| Lighting | Kenni Howerton | Gaffer |
| Art | Rüdiger Höhn | Construction Coordinator |
| Production | Fred Berger | Unit Manager |
| Production | Renate Seefeldt | Production Accountant |
| Lighting | Jürgen Bauer | Lighting Technician |
| Sound | Milan Bor | Sound Mixer |
| Production | Stefan Hutter | Producer |
| Directing | Doris Dörrie | Continuity |
| Production | Nicole Front | Unit Manager |
| Production | Margaret Ménégoz | Co-Producer |
| Camera | Alfred Tichawsky | Second Assistant Camera |
| Camera | Klaus Bartels | Second Assistant Camera |
| Sound | Mel Kutbay | Foley Artist |
| Production | Erwin Keusch | Producer |
| Editing | Romy Schumann | Assistant Editor |
| Costume & Make-Up | Ellen Eckelmann | Dresser |
| Art | Franz Bauer | Property Master |
| Art | Günther Rischkopf | Property Master |
| Production | Fatima Igramhan | Unit Manager |
| Costume & Make-Up | Gerhard Nemetz | Assistant Makeup Artist |
| Art | Winfried Hennig | Production Design |
| Sound | Axel Linstädt | Original Music Composer |
| Directing | Ursula Jeshel | Continuity |
| Production | Arno Ortmair | Unit Manager |
| Camera | Mina Kinal | Still Photographer |
| Camera | Michael Zens | Focus Puller |
| Lighting | Wolfgang Dell | Lighting Technician |
| Production | Willi Segler | Producer |
| Sound | Stanislav Litera | Sound Assistant |
| Directing | Ursula Jeshel | Assistant Director |
| Production | Toni Stricker | Co-Producer |
| Lighting | Hans Dreher | Gaffer |
| Lighting | Wolfgang Geiger | Lighting Technician |
| Sound | Michael Etz | Sound Assistant |
| Directing | Doris Dörrie | Assistant Director |
| Production | Klaus Keil | Production Manager |
| Directing | Erwin Keusch | Director |
