Saga (1968)
"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
Director: Jean-François Bory
| Directing | Jean-François Bory | Director |
