EYE FALL (2019)
A body of poetry about getting distracted in an intensely focussed way, about finding everything in the smallest gesture. These films mesh Structural film strategies with the elastic potential of contemporary digital imaging technologies, pointing to their own construction in order to talk about the way the moving image mediates and functions in contemporary society. The films are also very associative, drawing out connection and narrative from disparate recorded moments.
Director: Mark Prendergast
| Directing | Mark Prendergast | Director |
