Jotta: a minha maladresse é uma forma de délicatesse (2009)
How to represent an artistic intention without reducing it to a description? How to do it preserving the intentionality of the gestus in an ambiguous andsubjective space where the individualism of the artistic perspective is set. “my maladresse…” proposes a viewpoint over Ana Jotta’s universe. An analogous portrait of her relations as an artist is created, setting parallel questions, as hermeneutics possibility and art as a value system. The link relating the trio (artist and director’s deuce) balances between familiarity, master and apprentice, subject and object; the distance and authority of the one behind the camera spreading light around artisticurgencies concerning how Work and Life overlay in this unquiet chase of the greater purpose: a search for consolation in the holy_burlesque of existential functionalism. A documental laboratory of reflexive limits.
Directors: Francisco Moreira, Salomé Lamas.
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Ana Jotta as Self |
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Fernando Cabral Martins as |
| Directing | Francisco Moreira | Director |
| Production | Francisco Moreira | Producer |
| Directing | Salomé Lamas | Director |
| Production | Joana da Cunha Ferreira | Producer |
| Production | Salomé Lamas | Producer |
| Sound | Tiago Matos | Sound Post Production Coordinator |
| Editing | Graça Castanheira | Colorist |