Messiah (2018)
Positioned between opera and theatre, this powerfully accessible interpretation of Handel’s seminal work explores the drama and struggle of faith, showing a bereaved community whose grief at the loss of their leader is transformed into hope through a narrative of resurrection. Inspired by early performances of the work, which were staged in theatres and concert halls rather than churches, including its first performance at Bristol Old Vic in 1782, it is a rare treat for connoisseurs and enthusiasts alike.
Director: Nick Wickham
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Joshua Ellicott as Soloist |
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Brindley Sherratt as Soloist |
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Catherine Wyn-Rogers as Soloist |
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Henry Ashbee as Soloist |
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Jamie Beddard as The Beloved |
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Julia Doyle as Soloist |
| Sound | Georg Friedrich Händel | Music |
| Crew | Rod MacLachlan | Projection |
| Costume & Make-Up | Emma Cains | Costume Design |
| Art | Anna Orton | Set Designer |
| Camera | Brett Turnbull | Director of Photography |
| Lighting | Robert Casey | Lighting Design |
| Sound | Harry Bicket | Conductor |
| Production | Celia Moore | Producer |
| Editing | Mark 'Reg' Wrench | Editor |
| Directing | Tom Morris | Stage Director |
| Production | Alison Hargreaves | Producer |
| Directing | Nick Wickham | Director |
| Writing | Tom Morris | Idea |