Phoelix (1979)
An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
Director: Anna Ambrose
| Production | Margaret Williams | Production Supervisor |
| Writing | Anna Ambrose | Writer |
| Art | Miranda Melville | Art Direction |
| Editing | Anna Ambrose | Editor |
| Production | Hugh O'Donnell | Production Manager |
| Crew | Caroline Banks | Scenic Artist |
| Editing | Charles Rees | Editor |
| Costume & Make-Up | Bernie Brown | Makeup Department Head |
| Crew | Mary Hobden | Scenic Artist |
| Sound | Izzy Quail Jazz Combo | Music |
| Sound | Jay Langham | Music |
| Costume & Make-Up | Liz Dawson | Costume Design |
| Sound | Philip Silverstone | Music |
| Sound | Mick Audsley | Sound Recordist |
| Crew | Colin Martin | Mixing Engineer |
| Camera | Stephen Dwoskin | Camera Operator |
| Crew | Peter Harvey | Lighting Camera |
| Sound | Larry Sider | Sound Editor |
| Directing | Anna Ambrose | Director |
| Camera | Ian Dobbie | Director of Photography |
| Camera | Peter Harvey | Director of Photography |
| Sound | Ronnie Leahy | Original Music Composer |