Mama, da steht ein Mann (1968)
Dore O. and later Nekes speak to each other and into the camera, slowly and deliberately like a speech exercise, quickly like a tongue twister or in competition with each other, accentuated rhythmically or rubato, until the silent noise becomes piercing and rings in the ears. As in a mirror joke, Zerroptik also involves the viewer in the erotic duet, which persistently elicits all the comedy and latent horrors of a sudden discovery from the field of associations of the strange sentence.
Director: Werner Nekes
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Dore O. as |
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Werner Nekes as |
| Directing | Werner Nekes | Director |
