Good Stock On The Dimension Floor: An Opera (2014)
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
| Sound | Kyp Malone | Music |
| Writing | Dawn Lundy Martin | Story |
| Art | Sienna Shields | Production Design |
| Sound | Luvinsky Atche | Music |
| Production | Molly Caldwell | Producer |
| Production | Christa Bell | Producer |
| Sound | Nadia Buckmire | Music |
| Sound | Kirikoo Des | Music |
| Production | Richie Adomako | Producer |
| Production | Andre Philip Springer | Producer |
| Production | Nafiz Azad | Producer |
| Production | Anthony Richardson | Producer |
| Production | Mitch McEwen | Producer |
| Production | Lisa Teasley | Producer |
| Production | Slava Faybysh | Producer |
| Production | Oskar Tarplee | Producer |
| Production | Tamara Weber | Producer |
| Crew | Sienna Shields | Cinematography |
| Sound | Annie Lee Moffett | Music |
| Production | Annie Seaton | Producer |
| Sound | Pozsi Kolor | Music |
| Sound | Sienna Shields | Music |
| Production | C. Finley | Producer |
| Production | Dominika Ksel | Producer |
| Production | Dawn Lundy Martin | Producer |
| Sound | Kobie Maitland | Music |
| Sound | Kelsey Lu | Music |
| Production | Luvinsky Atche | Producer |
| Production | Clynton Lowry | Producer |
| Production | Mark Anglin | Producer |
| Production | Tei Okamoto | Producer |
