Reach Capacity (2020)
Almost forty years after its first appearance in You The Better, the house returns as a character in Beckman’s new work Reach Capacity, now symbolising real estate. The economic and political elements and the structure of the film are closely associated with the most famous of all board games dealing with real estate, Monopoly. Its origins go back to the early 1900s, when Elizabeth Magie created a first version of what she called The Landlord’s Game. Magie’s game had two sets of rules, a Prosperity set and a Monopolist set (only the latter was kept by Parker Brothers when they further developed the game without her). Magie’s aim was to illustrate how society as a whole thrives when monopolies are banished and income is distributed equally. Beckman takes over Magie’s dual game structure by having her screen flip over when a monopoly is reached.
Director: Ericka Beckman
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Cooper B. Handy as Performer |
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Ani Block as performer |
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Adam H. Marchand as performer |
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Zach Hart as performer |
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Carrie Rudd as performer |
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Rose Mori as performer |
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Austin Sley Julian as performer |
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Richard Lenz as performer |
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Allison Powers as performer |
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John Chevrette as performer |
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Parker Halliday as performer |
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Riley Halliday as performer |
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Quinn O'Connell as performer |
| Production | Ryan Muler | Location Manager |
| Lighting | Christian Kalcik | Lighting Technician |
| Camera | Sara Boldt | Camera Operator |
| Production | Sophie Carleton | Production Assistant |
| Lighting | Ariel Nehorayoff | Lighting Technician |
| Lighting | Rebecca Williams | Lighting Technician |
| Sound | Ross Matthei | Sound Engineer |
| Sound | Kim Keown | Vocals |
| Visual Effects | Erinn E. Hagerty | Digital Compositor |
| Sound | Brooke Halpin | Music |
| Sound | Brooke Halpin | Vocals |
| Production | Alix Daunis | Production Assistant |
| Production | Homa Sarabi-Daunis | Production Assistant |
| Costume & Make-Up | Alexandra Wilson | Costumer |
| Crew | Mark Rosen | Prop Maker |
| Sound | Brooke Halpin | Music Consultant |
| Visual Effects | Ericka Beckman | Animation |
| Sound | Lilly Dickenson | Music |
| Sound | Nadia Healy | Vocals |
| Camera | Jack Berner | Camera Operator |
| Production | Yitian Yan | Production Assistant |
| Crew | Beth Warshafsky | Visual Effects Design Consultant |
| Crew | Erik Guzman | Prop Maker |
| Sound | Ryan Curso | Foley Recordist |
| Camera | Kamaryn Pendelton | Camera Operator |
| Sound | Rodney Jones | Sound Mixer |
| Camera | Julia Payne | Grip |
| Crew | Ford Bostwick | Prop Maker |
| Production | Zach Hart | Producer |
| Visual Effects | Beth Warshafsky | Rotoscoping Artist |
| Art | Philippe Roy | Title Designer |
| Visual Effects | Erinn E. Hagerty | Rotoscoping Artist |
| Production | Maxwell Paparella | Production Assistant |
| Production | Daphne Disiz | Production Assistant |
| Production | Javier E. Castillo | Production Assistant |
| Camera | Christian Kalcik | Grip |
| Crew | Sam Hall | Compositor |
| Lighting | Julia Payne | Lighting Technician |
| Production | Sophie Olsson | Production Assistant |
| Camera | Rebecca Williams | Grip |
| Sound | Ericka Beckman | Vocals |
| Visual Effects | Zach Hart | Animation |
| Production | Erica Sheu | Production Assistant |
| Directing | Ericka Beckman | Director |
| Writing | Ericka Beckman | Writer |
| Sound | Zach Hart | Foley Recordist |
| Camera | Jacob Lutter | Camera Operator |
| Visual Effects | Beth Warshafsky | Digital Compositor |