Your Witness (1950)
Adam Hayward is a successful New York City defense lawyer. One day he receives a cable that the British war buddy who saved his life at Anzio Beach is now in trouble with the law in England. Taking the advice of his secretary to go to England rather than wire money, Adam arrives in his friend's village to find him about to stand trial for the murder of the hired stable-hand, Lawrence.
Director:
Robert Montgomery
Writers:
Ian McLellan Hunter, Hugo Butler, Joan Harrison.
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Robert Montgomery as Adam Heyward |
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Leslie Banks as Col. Roger Summerfield |
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Felix Aylmer as The British Judge |
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Andrew Cruickshank as Sir Adrian Horth K.C |
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Patricia Cutts as Alex Summerfield |
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Harcourt Williams as Richard Beamish |
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Jenny Laird as Mary Baxter |
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Michael Ripper as Samuel Baxter |
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Ann Stephens as Catherine Summerfield |
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Wylie Watson as Mr. Widgery |
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Noel Howlett as Martin Foxglove K.C. |
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James Hayter as Prouty |
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John Sharp as Police Constable Hawkins |
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Shelagh Fraser as Ellen Foster |
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Meadows White as Warder |
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Dandy Nichols as Waitress |
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Stanley Baker as Police Sgt. Bannoch |
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Erik Chitty as Judge's Clerk |
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Amy Dalby as Mrs. Widgely |
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Philip Dale as Jim Foster |
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Wensley Pithey as Alfred |
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Hal Osmond as Taxi Driver |
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Lyonel Watts as Vicar |
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Derrick Penley as Clerk of Assize |
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Ruth Lee as Miss Hubert |
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Basil Cunard as Dart Player #3 |
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Anthony Cundell as Dart Player #1 |
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Fred Essex as Dart Player #4 |
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Fred Groves as Dart Player #6 |
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Duncan Lewis as Dart Player #2 |
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Herbert C. Walton as Dart Player #5 |
| Production | Joan Harrison | Producer |
| Sound | Malcolm Arnold | Original Music Composer |
| Camera | Gerald Gibbs | Director of Photography |
| Directing | Robert Montgomery | Director |
| Editing | Lito Carruthers | Editor |
| Costume & Make-Up | Ivy Emmerton | Hairstylist |
| Art | Ralph W. Brinton | Art Direction |
| Production | David E. Rose | Executive Producer |
| Directing | Kenneth Rick | Assistant Director |
| Camera | Robert Walker | Camera Operator |
| Sound | W.H.O. Sweeney | Sound Recordist |
| Directing | Charles Saunders | Assistant Director |
| Sound | Bill Baldwin | Boom Operator |
| Production | John Croydon | Production Supervisor |
| Writing | Ian McLellan Hunter | Screenplay |
| Costume & Make-Up | Gerry Fletcher | Makeup Artist |
| Art | Roger Ramsdell | Set Dresser |
| Directing | Buddy Booth | Third Assistant Director |
| Camera | Ernest Day | Focus Puller |
| Directing | Betty Forster | Continuity |
| Production | Fred Gunn | Production Manager |
| Art | Ken Adam | Assistant Art Director |
| Directing | Hal Griver | Second Assistant Director |
| Sound | John Hollingsworth | Music Director |
| Writing | Hugo Butler | Screenplay |
| Writing | Joan Harrison | Screenplay |
| Camera | Ronnie Pilgrim | Still Photographer |
| Costume & Make-Up | John Wilson-Apperson | Wardrobe Designer |
| Production | Audrey Monk | Production Secretary |
| Editing | Jack Bygrave | Assistant Editor |
| Art | Len Sharp | Props |
| Costume & Make-Up | Joan Carpenter | Assistant Hairdresser |
| Camera | Ronald Etherington | Clapper Loader |
| Editing | Barbara Ayres | First Assistant Editor |
| Costume & Make-Up | Phyllis Dalton | Wardrobe Supervisor |
| Crew | William Douglas-Home | Additional Dialogue |
| Costume & Make-Up | Eric Hall | Assistant Makeup Artist |