Shadow Stalker (2019)
Shadow Stalker outlines the history of Predictive Policing, Digital Identity Theft and the dangers of Data Mining, that uses algorithms, performance and projections to make visible private Internet systems that are increasingly used by law enforcement and promote racial profiling. Drawing on a network of critical thinkers on surveillance and machine learning, Hershman Leeson abstracts the red square zone into a specter that haunts the work. Where one falls on the map in relation to this red square becomes a proxy for who one is-location, a proxy for identity.
Director: Lynn Hershman-Leeson
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Tessa Thompson as Tessa Thompson |
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January Steward as Spirit of the Deep Web |
| Writing | Lynn Hershman-Leeson | Writer |
| Editing | Lynn Hershman-Leeson | Editor |
| Production | George M. Rush | Attorney |
| Lighting | David Mong | Gaffer |
| Production | Lynn Hershman-Leeson | Producer |
| Editing | Collin Kriner | Additional Editing |
| Directing | Lynn Hershman-Leeson | Director |
| Costume & Make-Up | Nina Hollein | Costume Designer |
| Production | George Rush | Co-Producer |
| Crew | Christopher "Doc" Starks | Manager of Operations |
| Production | Theadora Walsh | Production Assistant |
| Sound | Dan Olmsted | Sound Editor |
| Production | Lor O'Connor | Production Assistant |
| Sound | Matthew Young | Music |
| Production | Theadora Walsh | Researcher |
| Camera | Hiro Narita | Director of Photography |
| Editing | Erica Jordan | Additional Editing |
| Costume & Make-Up | Alexandra Phelps | Hair Assistant |
| Sound | Javid Soriano | Sound Mixer |
| Editing | Gary Coates | Color Grading |
| Camera | Pamela Gentile | Set Photographer |
| Camera | Javid Soriano | Second Assistant Camera |
| Production | Emma Scully | Co-Producer |
| Costume & Make-Up | Alexandra Phelps | Wardrobe Assistant |
| Production | Marine Bahet | Co-Producer |
| Costume & Make-Up | Marine Bahet | Makeup & Hair |
| Visual Effects | Gary Coates | Compositing Lead |