Shadow Stalker (2019)
Shadow Stalker outlines the history of Predictive Policing, Digital Identity Theft and the dangers of Data Mining, that uses algorithms, performance and projections to make visible private Internet systems that are increasingly used by law enforcement and promote racial profiling. Drawing on a network of critical thinkers on surveillance and machine learning, Hershman Leeson abstracts the red square zone into a specter that haunts the work. Where one falls on the map in relation to this red square becomes a proxy for who one is-location, a proxy for identity.
Director: Lynn Hershman-Leeson
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Tessa Thompson as Tessa Thompson |
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January Steward as Spirit of the Deep Web |
| Camera | Javid Soriano | Second Assistant Camera |
| Production | Marine Bahet | Co-Producer |
| Editing | Lynn Hershman-Leeson | Editor |
| Costume & Make-Up | Marine Bahet | Makeup & Hair |
| Editing | Collin Kriner | Additional Editing |
| Production | George Rush | Co-Producer |
| Production | Theadora Walsh | Production Assistant |
| Editing | Gary Coates | Color Grading |
| Camera | Pamela Gentile | Set Photographer |
| Costume & Make-Up | Alexandra Phelps | Wardrobe Assistant |
| Writing | Lynn Hershman-Leeson | Writer |
| Production | George M. Rush | Attorney |
| Sound | Matthew Young | Music |
| Production | Theadora Walsh | Researcher |
| Directing | Lynn Hershman-Leeson | Director |
| Costume & Make-Up | Nina Hollein | Costume Designer |
| Crew | Christopher "Doc" Starks | Manager of Operations |
| Production | Lynn Hershman-Leeson | Producer |
| Production | Emma Scully | Co-Producer |
| Sound | Javid Soriano | Sound Mixer |
| Lighting | David Mong | Gaffer |
| Sound | Dan Olmsted | Sound Editor |
| Editing | Erica Jordan | Additional Editing |
| Camera | Hiro Narita | Director of Photography |
| Costume & Make-Up | Alexandra Phelps | Hair Assistant |
| Production | Lor O'Connor | Production Assistant |
| Visual Effects | Gary Coates | Compositing Lead |
