Hochmut kommt vor dem Knall (1960)
Under political pressure, a West German radio station stages a radio play about a Russian invasion of West Germany. A handsome fee convinced the unemployed Anton Wiesel to take on the direction. At the same time, the driver Harry Kyritz received an inheritance: a decrepit barge with which he intends to become an entrepreneur. His acquaintance with Madeleine Müller, the daughter of a coal wholesaler, comes at just the right time. But so does Mr. Müller, because he is broke. So he throws a big party to sell his daughter as his last profitable asset. Harry has a good chance when the radio plays a radio play about a Russian robbery. The guests take it as a factual report and flee to the cellar. Harry reveals his true financial situation, but Müller accepts him anyway - as a model worker for the Russians. But when the mistake is revealed, Harry is out of the running in favor of a wealthier son-in-law.
Director: Kurt Jung-Alsen
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Horst Drinda as Harry Kyritz |
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Rolf Ludwig as Anton Wiesel |
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Johannes Arpe as Oskar Müller |
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Peter Herden as Hans-Joachim Fechtner |
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Horst Schulze as Uwe Angler |
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Christine Laszar as Amy Taylor |
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Helga Göring as Sylvia Lehmann |
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Lisa Macheiner as Melanie Müller |
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Steffi Freund as Madeleine Müller |
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Peter Kiwitt as Friedrich Sägemehl |
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Gerd Biewer as Hattenheim |
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Norbert Christian as Dr. Starke |
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Hannes Fischer as Filmregisseur |
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Jutta Hochstetter as Maid Anni |
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Ingrid Arnold as secretary |
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Marga Legal as |
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Werner Lierck as |
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Sabine Thalbach as radio narrator |
| Directing | Kurt Jung-Alsen | Director |
| Writing | Jens Gerlach | Theatre Play |
| Writing | Kurt Jung-Alsen | Writer |
| Writing | Hans Lucke | Writer |
| Sound | Gerd Natschinski | Music |
| Camera | Hans Hauptmann | Director of Photography |
| Editing | Anneliese Hinze-Sokolowa | Editor |
| Art | Artur Günther | Art Direction |
| Costume & Make-Up | Dorit Gründel | Costume Design |