Love, Deutschmarks and Death (2022)
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
Director: Cem Kaya
 |
İsmet Topçu as himself |
|
Ömer Boral as himself |
|
Yüksel Ergin as himself |
|
İhsan Ergin as himself |
|
Metin Türköz as himself |
|
Adnan Türköz as himself |
|
Yüksel Özkasap as herself |
|
Cevdet Yıldırım as himself |
|
Cavidan Ünal as himself |
| Editing | Gürcan Cansever | Co-Editor |
| Production | Stefan Kauertz | Producer |
| Production | Claus Reichel | Producer |
| Production | Florian Schewe | Producer |
| Editing | Cem Kaya | Editor |
| Production | Mehmet Akif Büyükatalay | Producer |
| Writing | Mehmet Akif Büyükatalay | Writer |
| Writing | Mehmet Akif Büyükatalay | Creative Producer |
| Writing | Cem Kaya | Writer |
| Crew | Christian Kochmann | Cinematography |
| Crew | Mahmoud Belakhel | Cinematography |
| Directing | Cem Kaya | Director |
