Anatomy of a Murder (1959)
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
Director:
Otto Preminger
Writer:
Wendell Mayes
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James Stewart as Paul "Pauly" Biegler |
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Lee Remick as Laura Manion |
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Ben Gazzara as Lieutenant Frederick "Manny" Manion |
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Arthur O'Connell as Parnell Emmett "Parn" McCarthy |
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Eve Arden as Maida Rutledge |
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Kathryn Grant as Mary Pilant |
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George C. Scott as AAG Claude Dancer |
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Orson Bean as Dr. Matthew Smith |
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Russ Brown as Deputy Sheriff George Lemon |
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Murray Hamilton as Alphonse "Al" Paquette |
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Brooks West as DA Mitchell "Mitch" Lodwick |
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Ken Lynch as Det. Sgt. James "Jim" Durgo |
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John Qualen as Deputy Sheriff Sulo Kangas |
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Howard McNear as Dr. Adelord Dompierre |
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Alexander Campbell as Dr. W. Gregory Harcourt |
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Ned Wever as Dr. Homer Raschid |
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Jimmy Conlin as Clarence "One-Shot" "Smoky" Madigan |
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Joseph N. Welch as Judge Harlan Weaver |
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Royal Beal as Sheriff Max Battisfore |
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Joseph Kearns as Lloyd Burke |
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Don Ross as Duane "Duke" Miller |
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Lloyd Le Vasseur as Court clerk |
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James Waters as Army Sergeant 1st Class |
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Duke Ellington as Pie Eye (uncredited) |
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Irv Kupcinet as Distinguished Gentleman (uncredited) |
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Chuck Ramsay as Orderly (uncredited) |
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Agnes Rodgers Brown as Juror (uncredited) |
| Directing | Otto Preminger | Director |
| Sound | Duke Ellington | Original Music Composer |
| Production | Otto Preminger | Producer |
| Camera | Sam Leavitt | Director of Photography |
| Editing | Louis R. Loeffler | Editor |
| Art | Boris Leven | Production Design |
| Sound | Richard Carruth | Sound Designer |
| Sound | Jack Solomon | Sound Designer |
| Camera | Irving Rosenberg | Camera Operator |
| Lighting | James Almond | Lighting Technician |
| Writing | Wendell Mayes | Screenplay |
| Costume & Make-Up | Madine Danks | Hairdresser |
| Art | Ken Walton | Props |
| Costume & Make-Up | Del Armstrong | Makeup Artist |
| Costume & Make-Up | Harry Ray | Makeup Artist |
| Costume & Make-Up | Norman Pringle | Makeup Artist |
| Production | Henry Weinberger | Production Manager |
| Directing | Hal W. Polaire | Assistant Director |
| Directing | David Silver | Assistant Director |
| Directing | Ray Taylor Jr. | Assistant Director |
| Crew | Irving W. Sindler | Property Master |
| Sound | Don Hall | Sound Effects Editor |
| Costume & Make-Up | Hope Bryce | Costume Design |
| Costume & Make-Up | Vou Lee Giokaris | Costume Design |
| Costume & Make-Up | Paula Giokaris | Costume Design |
| Editing | John Loeffler | Assistant Editor |
| Editing | Michael Vittes | Assistant Editor |
| Directing | Kathleen Fagan | Script Supervisor |
| Crew | John D. Voelker | Technical Supervisor |
| Camera | Gjon Mili | Still Photographer |
| Camera | Al St. Hilaire | Still Photographer |
| Writing | John D. Voelker | Novel |
| Camera | Leo McCreary | Key Grip |
| Costume & Make-Up | Myrl Stoltz | Hairdresser |
| Costume & Make-Up | Michael Harte | Wardrobe Master |
| Costume & Make-Up | Vou Lee Giokaris | Wardrobe Master |
| Sound | Jack Solomon | Sound |
| Sound | Richard Carruth | Music Editor |
| Art | Howard Bristol | Set Dresser |
| Production | Max Slater | Producer's Assistant |
| Costume & Make-Up | Hope Bryce | Costume Coordinator |
| Art | Saul Bass | Title Designer |
