The Feminine Touch (1941)
A college professor who believes there's no place for jealousy in modern marriage, John Hathaway (Don Ameche) moves with his wife, Julie (Rosalind Russell), to New York where he plans to publish a book on the subject. Meeting with publisher Elliott Morgan (Van Heflin), who falls head over heels for Julie, John is assigned to his assistant Nellie (Kay Francis), who only has eyes for her boss. Working closely with Nellie, who Julie thinks is after her husband, John continues his high-minded ways while his angry spouse schemes to make him so jealous he'll knock Elliott's block clean off.
Director:
W.S. Van Dyke
Writers:
George Oppenheimer, Ogden Nash, Edmund L. Hartmann.
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Rosalind Russell as Julie Hathaway |
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Don Ameche as John Hathaway |
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Kay Francis as Nellie Woods |
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Van Heflin as Elliott Morgan |
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Donald Meek as Captain Makepeace Liveright |
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Gordon Jones as Rubber-Legs Ryan |
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Henry Daniell as Shelley Mason |
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Sidney Blackmer as Freddie Bond |
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Grant Mitchell as Dean Hutchinson |
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David Clyde as Brighton |
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Harold Minjir as Hutchinson's Secretary (uncredited) |
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Mickey Martin as Flower Delivery Boy (uncredited) |
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Bernard Nedell as Subway Snake (uncredited) |
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William H. O'Brien as Nightclub Waiter (uncredited) |
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Anne O'Neal as Woman on Subway Train (uncredited) |
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Frances Morris as Time Telephone Operator (uncredited) |
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Cecil Cunningham as Party Guest (uncredited) |
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Julie Gibson as Singer (uncredited) |
| Costume & Make-Up | Adrian | Costume Design |
| Art | Cedric Gibbons | Art Direction |
| Art | Edwin B. Willis | Set Decoration |
| Costume & Make-Up | Sydney Guilaroff | Hair Designer |
| Art | Paul Groesse | Assistant Art Director |
| Sound | Franz Waxman | Original Music Composer |
| Editing | Albert Akst | Editor |
| Crew | Warren Newcombe | Special Effects |
| Production | Joseph L. Mankiewicz | Producer |
| Sound | Douglas Shearer | Recording Supervision |
| Writing | George Oppenheimer | Screenplay |
| Directing | W.S. Van Dyke | Director |
| Writing | Ogden Nash | Screenplay |
| Writing | Edmund L. Hartmann | Screenplay |
| Camera | Ray June | Director of Photography |