Dog Day Afternoon (1975)
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
Director:
Sidney Lumet
Writer:
Frank Pierson
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Al Pacino as Sonny |
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John Cazale as Sal |
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Charles Durning as Moretti |
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Chris Sarandon as Leon |
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James Broderick as Sheldon |
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Penelope Allen as Sylvia |
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Sully Boyar as Mulvaney |
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Beulah Garrick as Margaret |
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Carol Kane as Jenny |
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Sandra Kazan as Deborah |
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Marcia Jean Kurtz as Miriam |
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Amy Levitt as Maria |
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John Marriott as Howard |
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Estelle Omens as Edna |
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Gary Springer as Stevie |
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Carmine Foresta as Carmine |
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Lance Henriksen as Murphy |
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Floyd Levine as Phone Cop |
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Dick Anthony Williams as Limo Driver |
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Dominic Chianese as Father |
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Marcia Haufrecht as Neighbor |
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Judith Malina as Mother |
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Susan Peretz as Angie |
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William Bogert as TV Anchorman |
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Ron Cummins as TV Reporter |
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Jay Gerber as Sam |
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Philip Charles MacKenzie as Doctor |
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Chu Chu Malave as Maria's Boyfriend |
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Lionel Pina as Pizza Boy |
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Robert Costanzo as New York Policeman (uncredited) |
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Ron Gilbert as Detective (uncredited) |
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Kenneth McMillan as Commissioner (uncredited) |
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Ed Metzger as Sgt. Murray (uncredited) |
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Lynette Sheldon as Sadie (uncredited) |
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Alan Berger as Lout (uncredited) |
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James Bulleit as Sgt. Gillis (uncredited) |
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Todd Everett as Cop (uncredited) |
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Raymond Serra as New York Plainclothes Cop (uncredited) |
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Tom Towles as Cop (uncredited) |
| Writing | Frank Pierson | Screenplay |
| Production | Martin Elfand | Producer |
| Art | Charles Bailey | Production Design |
| Art | Douglas Higgins | Art Direction |
| Production | Don Phillips | Casting |
| Production | Michael Chinich | Casting |
| Editing | Dede Allen | Editor |
| Costume & Make-Up | Anna Hill Johnstone | Costume Design |
| Camera | Victor J. Kemper | Director of Photography |
| Art | Robert Drumheller | Set Decoration |
| Production | Martin Bregman | Producer |
| Crew | A.J. Bakunas | Stunts |
| Production | Lois Kramer Hartwick | Production Coordinator |
| Production | Martin Danzig | Location Manager |
| Art | Joseph M. Caracciolo | Property Master |
| Sound | Jack Fitzstephens | Sound Editor |
| Directing | Burtt Harris | Assistant Director |
| Directing | Alan Hopkins | Assistant Director |
| Directing | B.J. Bjorkman | Script Supervisor |
| Editing | Angelo Corrao | Assistant Editor |
| Camera | Fred Schuler | Camera Operator |
| Crew | Carlos Quiles | Carpenter |
| Writing | Leslie Waller | Book |
| Costume & Make-Up | Philip Leto | Hairstylist |
| Sound | James Sabat | Sound Mixer |
| Sound | Dick Vorisek | Recording Supervision |
| Costume & Make-Up | Peggy Farrell | Wardrobe Supervisor |
| Sound | Stephen A. Rotter | Sound Editor |
| Writing | P.F. Kluge | Book |
| Sound | Sanford Rackow | Sound Editor |
| Costume & Make-Up | Clifford Capone | Wardrobe Supervisor |
| Sound | Richard P. Cirincione | Sound Editor |
| Costume & Make-Up | Reginald Tackley | Makeup Artist |
| Writing | Thomas Moore | Book |
| Costume & Make-Up | Max Henriquez | Assistant Makeup Artist |
| Production | Robert Greenhut | Associate Producer |
| Directing | Sidney Lumet | Director |
