Love, Be with Humanity: Part 2 (1931)
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
Director: Yasujirō Shimazu
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Sôjin Kamiyama as Kokichi Yamaguchi |
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Tokihiko Okada as Osamu (Kokichi's eldest son) |
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Mitsuko Hikari as Fujiko |
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Reikichi Kawamura as Yoichi Matsuyama |
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Mitsuko Yoshikawa as Nusai (Kokichi's eldest daughter) |
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Hideko Takamine as Yasuo (son) |
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Shin'yō Nara as Kentaro Sekiya |
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Shizue Tatsuta as Sakura (Kokichi's second daughter) |
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Kinuyo Tanaka as Mayumi |
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Denmei Suzuki as Yu (Kokichi's second son) |
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Hideo Fujino as Okada (Factory manager) |
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Shoichi Nodera as Katayama |
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Ryōtarō Mizushima as Kasuga |
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Tokuji Kobayashi as Kaneda |
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Kenichi Miyajima as Engineer Yamamoto |
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Kikuko Hanaoka as Isamu Kimi |
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Yukiko Tsukuba as |
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Tatsuo Saitō as Shibukawa |
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Atsushi Watanabe as Secretary Yoshida |
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Jun Arai as Clerk |
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Yukichi Iwata as Bank President |
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Hideo Takeda as Executive |
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Sōtarō Okada as Driver |
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Hisao Furuya as Waiter |
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Kanji Kawara as Detective |
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Shoichi Kofujita as |
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Fumiko Katsuragi as |
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Chōko Iida as Bar Madam |
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Mack Swain as Doctor |
| Directing | Yasujirō Shimazu | Director |
| Writing | Tokusaburo Murakami | Writer |
| Camera | Takashi Kuwabara | Director of Photography |
| Camera | Shin'ichi Nagai | Director of Photography |
| Art | Yoneichi Wakita | Art Direction |
| Art | Takashi Kono | Art Direction |
| Art | Shôtarô Hashimoto | Set Designer |
| Camera | Mitsuo Miura | Assistant Camera |
