Baía de Luanda (2022)
Pérola (39 years), a female lawyer, return to Angola, for her younger sister´s “Alambamento” (traditional Angolan ceremony where dowries and promises are exchanged between a couple) more than 20 years living abroad. On coming back, she realises that she does not fit in that environment anymore. The world that saw her come to life is now uncomfortable. In the beginning, she remains apart, watching all her parents do and say in a judgmental way, but as the party unfolds, Pérola starts to see the beauty of the place. That land and it´s People reveal a charm that she was not expecting and suddenly she understands that all her loneliness and emptiness she has felt all those years was only her home beckoning her back.
Director: Mónica Martins
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Cleonise Malulo as Félcia |
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Nádia Yracema as Zuri |
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Manuela Paulo as Pérola |
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Solange Hilário as Luena |
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Danilo da Matta as Yellen |
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Daniel Martinho as Nzinga |
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Giovanni Lourenço as Candimba |
| Editing | Tomás Lourenço | Editor |
| Art | Tairine Rosa | Production Design |
| Directing | Mónica Martins | Director |
| Crew | Miguel Leal Costa | Cinematography |
| Production | Iara Martins | Producer |
| Costume & Make-Up | Edson Etaungo | Wardrobe Supervisor |
| Art | Joana Seixas | Prop Designer |
| Visual Effects | Maria João Rodrigues | Animation |
| Camera | Diogo Flauzino | Key Grip |
| Sound | Tiago Pereira | Boom Operator |
| Directing | Ruben Cruz | First Assistant Director |
| Costume & Make-Up | Luiza Ferreira | Costume Designer |
| Art | Song Almeida | Head Decorator |
| Lighting | João Fangueiro | Assistant Electrician |
| Lighting | André Alves | Gaffer |
| Camera | Lara Brito | Data Wrangler |
| Costume & Make-Up | Maria Francisca | Wardrobe Coordinator |
| Camera | Rodrigo Godinho | Focus Puller |
| Camera | Eliana Caleia | Second Assistant "A" Camera |
| Lighting | Carlos Zenida | Assistant Electrician |
| Editing | Miguel Leal Costa | Color Grading |
| Lighting | Rodrigo Pedras | Assistant Electrician |
| Sound | António Silva | Sound Director |
| Sound | Francisco Janela | Boom Operator |
| Production | Francisco Correia | Post Production Coordinator |
| Directing | Rafaela Seco | Second Assistant Director |
| Sound | António Silva | Sound Post Production Coordinator |
| Crew | Mónica Martins | Script |
| Art | Carlota Sempere | Art Department Assistant |
| Camera | Marcos Koe | Assistant Grip |
| Editing | Daniel Fernandes | Assistant Editor |
| Production | Mariana Teixeira | Production Coordinator |
| Sound | Ricardo Costa | Music |
| Sound | Tiago Pereira | Foley Artist |
| Sound | Francisco Janela | Music |
| Directing | Sofia Wates | Third Assistant Director |
| Production | Íris Sequeira | Production Assistant |
| Editing | João Peixoto | Color Grading |
| Camera | Duarte Carvalho | Assistant Grip |
| Directing | Maria Carita | Script Supervisor |
| Crew | Duarte Felgueiras | Video Assist Operator |
| Production | Karina Gennaro | Production Assistant |
| Directing | Ana Lourenço | Script Supervisor |
| Sound | Ricardo Costa | Sound Mix Technician |
| Sound | Ricardo Costa | Sound Designer |
