06/01/1900
Asakusa, Tokyo, Japan:
Born 1900, in Tokyo. Ofuji learned the basics of animation under Junichi Kouchi, and later developed his own unique animation style using cutouts from chiyogami (Japanese traditional decorative paper with colored patterns). While strictly maintaining his independent production style, he attempted a variety of techniques such as paper cutouts, cel, silhouette, and colored cellophane.
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色彩漫画の出來る迄 (1937) as Himself |
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The Roots of Japanese Anime Until the End of WWII: 1930-1942 (2008) Director |
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釈迦の生涯 (1961) Director |
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幽霊船 (1956) Director |
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花と蝶 (1954) Director |
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鯨 (1952) Director |
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鯨 (1952) Writer |
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団子兵衛捕物帖 開けーごまの巻 (1952) Director |
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熊に喰われぬ男 (1948) Director |
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熊に喰われぬ男 (1948) Animation |
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Yuki no yo no yume (1947) Director |
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蜘蛛の絲 (1946) Director |
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マレー沖海戰 (1943) Director |
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千代紙漫画 だんごの行方 (1937) Director |
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かつら姫 (1937) Director |
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ちんころ平々玉手箱 (1936) Director |
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降妖记 天狗退治 (1934) Director |
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沼の大将 (1933) Director |
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蛙三勇士 (1933) Director |
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國歌 君か代 (1931) Director |
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心の力 (1931) Director |
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春の唄 (1931) Director |
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お関所 (1930) Director |
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村祭 (1930) Director |
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黒ニャゴ (1929) Director |
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こがねの花 (1929) Director |
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鯨 (1927) Director |
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みかん舩 (1927) Director |
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切紙細工 西遊記 孫悟空物語 (1926) Director |
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馬具田城の盗賊 (1926) Director |
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馬具田城の盗賊 (1926) Animation |
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煙り草物語 (1926) Director |
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花見酒 (1924) Director |
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のろまな爺 (1924) Director |