06/21/1902
Hamburg, Germany:
Edgar Brasil, born Edgar Hauschildt (June 21, 1902 – April 1, 1954) was a German-born Brazilian cinematographer. He worked on more than 50 productions during his career. Edgar Brasil's career focused primarily on studio cinema. Therefore, at each company he worked for, he encountered different resources and developed different types of cinema. While at Cinédia, he developed a style very similar to Hollywood, with elements and features of Art Deco cinema, moving toward classical cinematography. At Atlântida, due to technical limitations, Edgar had to make more basic and restrained films. It was at Vera Cruz and Kino Filmes that Brasil returned to studio work creatively, once again influenced by North American cinema, through expressionist lighting reminiscent of Hollywood film noir. (Wikipedia)
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Limite (1931) as Man asleep in the theatre |
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Mulher de Verdade (1955) Director of Photography |
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Candinho (1954) Director of Photography |
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Barnabé, Tu És Meu (1952) Director of Photography |
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Veneno (1952) Director of Photography |
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O Rei do Samba (1952) Director of Photography |
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É Fogo na Roupa (1952) Director of Photography |
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Maior Que o Ódio (1951) Director of Photography |
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A Sombra da Outra (1950) Director of Photography |
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Aviso aos Navegantes (1950) Director of Photography |
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Também Somos Irmãos (1949) Director of Photography |
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Terra Violenta (1949) Director of Photography |
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Falta Alguém no Manicômio (1948) Cinematography |
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É com Este Que Eu Vou (1948) Cinematography |
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Inconfidência Mineira (1948) Director of Photography |
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Este Mundo É um Pandeiro (1947) Cinematography |
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Fantasma por Acaso (1946) Cinematography |
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Não Adianta Chorar (1945) Director of Photography |
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Romance de um Mordedor (1944) Director of Photography |
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Tristezas Não Pagam Dívidas (1943) Director of Photography |
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Entra na Farra (1943) Director of Photography |
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Futebol em Familia (1939) Cinematography |
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Banana-da-Terra (1939) Director of Photography |
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Tererê Não Resolve (1938) Cinematography |
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O Samba da Vida (1937) Director of Photography |
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Bonequinha de Seda (1936) Cinematography |
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O Jovem Tataravô (1936) Camera Operator |
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Alô Alô Carnaval (1936) Director of Photography |
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Alô, Alô, Brasil (1935) Director of Photography |
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Ganga Bruta (1933) Camera Operator |
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A Voz do Carnaval (1933) Director of Photography |
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A Voz do Carnaval (1933) Camera Operator |
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Limite (1931) Director of Photography |
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Limite (1931) Editor |
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Limite (1931) Camera Operator |
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Limite (1931) Lighting Director |
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Sangue Mineiro (1929) Cinematography |
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Brasa Dormida (1928) Cinematography |