04/18/1924
Antwerp, Flanders, Belgium:
Ghislain Cloquet (18 April 1924 – 2 November 1981) was a Belgian-born French cinematographer. Cloquet was born in Antwerp, Belgium in 1924. He went to Paris to study and became a French citizen in 1940. Cloquet is known for his work with Robert Bresson, though he also collaborated with Claude Sautet, Jacques Demy, André Delvaux, Chris Marker, and Marguerite Duras. He shot Jacques Becker's last film, Le Trou, and then worked several times with Becker's son Jean, who was also Cloquet's brother-in-law. He also worked with several non-French directors, including Woody Allen (Love and Death), Arthur Penn (Four Friends) and, most notably, Roman Polanski, winning an Oscar (on his first nomination) for his work on Polanski's Tess, which he completed after the death of Geoffrey Unsworth. Cloquet married into the Becker filmmaking family (which included directors Jacques and Jean, cinematographer Étienne, and actress Françoise Fabian), when he wed Jacques Becker's daughter Sophie, then a script girl. Source: Article "Ghislain Cloquet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Question de temps: Une heure avec Woody Allen (1979) as Self |
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Nathalie Granger (1973) as |
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La famille (1971) as |
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Sans soleil (1983) Additional Photography |
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Four Friends (1981) Director of Photography |
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Chère inconnue (1980) Director of Photography |
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The Secret Life of Plants (1979) Director of Photography |
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Tess (1979) Director of Photography |
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Monsieur Albert (1976) Director of Photography |
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La Décharge (1976) Director of Photography |
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Love and Death (1975) Director of Photography |
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Le Boucher, la Star et l'Orpheline (1975) Director of Photography |
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Dites-le avec des fleurs (1974) Director of Photography |
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La Femme du Gange (1974) Director of Photography |
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L'Histoire très bonne et très joyeuse de Colinot Trousse-Chemise (1973) Director of Photography |
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Nathalie Granger (1973) Director of Photography |
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Au rendez-vous de la mort joyeuse (1973) Director of Photography |
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Belle (1973) Director of Photography |
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Faustine et le Bel Été (1972) Director of Photography |
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Rendez-vous à Bray (1971) Director of Photography |
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Jaune, Le Soleil (1971) Director of Photography |
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Peau d'âne (1970) Director of Photography |
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La Maison des Bories (1970) Director of Photography |
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Une femme douce (1969) Director of Photography |
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Josef von Sternberg, een retrospektieve (1969) Director of Photography |
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Mazel Tov ou le Mariage (1968) Director of Photography |
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Un soir, un train (1968) Director of Photography |
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Benjamin ou les mémoires d'un puceau (1968) Director of Photography |
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Loin du Vietnam (1967) Director of Photography |
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Mouchette (1967) Director of Photography |
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Les Demoiselles de Rochefort (1967) Director of Photography |
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De man die zijn haar kort liet knippen (1966) Director of Photography |
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Au hasard Balthazar (1966) Director of Photography |
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Mickey One (1965) Director of Photography |
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Le Poulet (1965) Director of Photography |
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Le Feu follet (1963) Director of Photography |
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Vive Le Tour (1962) Director of Photography |
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Carillons sans joie (1962) Director of Photography |
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Les honneurs de la guerre (1962) Director of Photography |
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Un nommé La Rocca (1961) Director of Photography |
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La Belle Américaine (1961) Director of Photography |
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Description d'un combat (1960) Director of Photography |
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Classe tous risques (1960) Director of Photography |
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Le Trou (1960) Director of Photography |
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Le Bel Âge (1960) Director of Photography |
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Amour de poche (1957) Director of Photography |
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Les Aventures d'Arsène Lupin (1957) Camera Operator |
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Le Mystère de l’atelier quinze (1957) Director of Photography |
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Toute la mémoire du monde (1956) Cinematography |
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Les possédées (1956) Camera Operator |
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Nuit et Brouillard (1956) Director of Photography |
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Saint-Tropez, devoirs de vacances (1954) Director of Photography |
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Pantomimes (1954) Cinematography |
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Les statues meurent aussi (1953) Director |
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Les statues meurent aussi (1953) Cinematography |
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Aux frontières de l'Homme (1953) Cinematography |
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Hommes Des Oasis (1951) Director of Photography |