Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
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Trip to Carolee (2011) as |
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As Is Was (1995) as |
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Is As Is (1991) as |
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Departure (1991) as |
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The Answering Furrow (1985) as Self |
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Trip to Carolee (2011) Camera Operator |
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Herein (1991) Director |
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Private Parts (1988) Director |
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The Answering Furrow (1985) Director |
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The Answering Furrow (1985) Director of Photography |
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The Answering Furrow (1985) Editor |
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Lyrics (1985) Director |
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The Fallen World (1983) Director |
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Daughters of Chaos (1980) Director |
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Six Windows (1979) Director |
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Ancient Parts/Foreign Parts (1979) Director |
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On the Verge of an Image of Christmas (1978) Director |
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The Web (1977) Director |
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Misconception (1977) Director |
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Film Notebook: Part 1 (For Saul) (1975) Director |
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Superimposition (1975) Director |
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Film Notebook: Part 2 (Some of Us in the Mechanical Age) (1975) Director |
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By Twos and Threes: Women (1974) Director |
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Objection (1974) Director |
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Objection (1974) Director of Photography |
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Objection (1974) Editor |
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She/Va (1973) Director |
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The Outer Circle (1973) Director |
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Hell No, No Cuts (1973) Director |
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Part IV (Green Hill) (1972) Director |
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Untitled (1971) Director |
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Untitled (1971) Director |
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We Demand Jobs (1971) Director |
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Turtle (1969) Director |