08/09/1943
Cannes, France:
Michèle Bokanowski (August 9, 1943, Cannes, France) is a French Paris-based electroacoustic music composer. After a classical education in harmony, she met Michel Puig, a student of René Leibowitz, who taught her composition and analysis according to Schönbergian principles. In September 1970, she began a two year course at the "Service de la recherche de l’ORTF" (ORTF Research Department) under the direction of Pierre Schaeffer. At the same time, she participated in a sound synthesis research group, studied computer music at the Faculté de Vincennes as well as electronic music with Eliane Radigue. Between 1972 and 1984, she composed essentially for the concert ["Korè" for one pianist, "Trois chambres d’inquiétude", "Tabou"], and for film [mostly for Patrick Bokanowski]. Since 1985, she has also composed for television, theatre [with Catherine Dasté], and for dance [with choreographers Hideyuki Yano, Marceline Lartigue and Bernardo Montet].
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Patrick Bokanowski : visite à l'atelier (2017) as Herself |
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Battements solaires (2008) as #2 |
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Hum Drum (2021) Original Music Composer |
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The Doll's Breath (2019) Music |
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L'indomptable (2018) Original Music Composer |
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L'envol (2018) Music |
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Patrick Bokanowski : visite à l'atelier (2017) Music |
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Un rêve solaire (2016) Original Music Composer |
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Un rêve (2014) Original Music Composer |
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Battements solaires (2008) Music |
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Fenêtres (2004) Director |
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Le Canard à l'orange (2002) Music |
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Fugue (1999) Music |
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Flammes (1998) Music |
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Au bord du lac (1994) Music |
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La plage (1992) Music |
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Solo (1989) Music |
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L'Ange (1982) Music |
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Un créateur de l'imaginaire : Patrick Bokanowski - Ciné-Court (1977) Music |
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Déjeuner du matin (1974) Music |
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La femme qui se poudre (1972) Music |