William Brown is a Cinema Studies scholar and professor at the University of British Columbia, Canada. He has published numerous essays in journals and edited collections, and is also the author of The Squid Cinema from Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia (with David H. Fleming). Furthermore, he is also a maker of zero- to low-budget films, all produced under the umbrella of Beg Steal Borrow. His films are available online at vimeo.com/user3889955.
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Vladimir and William (2018) as Himself |
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Ur: The End of Civilization in 90 Tableaux (2015) as Will |
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Selfie (2014) as Himself |
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Afterimages (2010) as G20 Protestor |
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App 666 (2024) Director |
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Cake and Death (2024) Director |
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This is Cinema (2021) Director |
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CINEMA-19 (2020) Director |
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The New Hope 2 (2020) Director |
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Golden Gate (2019) Director |
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Golden Gate (2019) Editor |
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La Belle Noise (2019) Director |
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The Benefit of Doubt (2019) Director |
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The Benefit of Doubt (2019) Writer |
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Vladimir and William (2018) Director |
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Clem (2018) Director |
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#randomaccessmemory (2017) Director |
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Sculptures of London (2017) Director |
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St Mary Magdalen's Home Movies (2017) Director |
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Letters to Ariadne (2016) Director |
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Circle/Line (2016) Director |
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Ur: The End of Civilization in 90 Tableaux (2015) Director |
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The New Hope (2015) Director |
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Selfie (2014) Director |
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Common Ground (2014) Director |
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China: A User's Manual (Films) (2012) Director |
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En Attendant Godard (2010) Director |
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Afterimages (2010) Director |
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Afterimages (2010) Producer |
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Afterimages (2010) Editor |
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Afterimages (2010) Writer |