A 2012 graduate in sound engineering from ESCAC, she began her professional career as an effects editor with Oriol Tarragó at Coser y Cantar Estudio. Later, she debuted as a sound designer on the series ‘Sé quién eres’ and worked as a freelancer on film projects such as Albert Pintó’s ‘Malasaña 32’. In 2020, she moved to Madrid, where she worked as a sound designer on projects such as Javier Ambrossi and Javier Calvo’s ‘Veneno’, and Pedro Almodóvar’s ‘The Human Voice’ (2020) and ‘Madres paralelas’ (2021), the latter of which earned her a Goya nomination in 2022. That same year, she opened her own sound studio with Oriol Donat: from Lima Limón Estudio, she has worked on projects such as Albert Pintó’s ‘Nowhere’, Laura Jou’s ‘Caída libre’, and Celia Rico’s ‘La buena letra’.
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Les Culpables (2026) Sound Designer |
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Leo & Lou (2025) Sound Designer |
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Sirāt (2025) Supervising Sound Editor |
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Sirāt (2025) Sound Designer |
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La buena letra (2025) Sound Designer |
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Escanyapobres (2024) Sound Re-Recording Mixer |
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La marsellesa de los borrachos (2024) Sound Editor |
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La marsellesa de los borrachos (2024) Sound Designer |
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La marsellesa de los borrachos (2024) Sound Re-Recording Mixer |
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The Painter's Room (2024) Sound Designer |
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Creatura (2023) Sound Mixer |
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El Secreto del Doctor Grinberg (2022) Sound Designer |
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Harta (2021) Sound Mixer |
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Madres paralelas (2021) Sound Editor |
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The Human Voice (2020) Sound Editor |
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Orígenes secretos (2020) Sound Mixer |
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Malasaña 32 (2020) Sound Designer |
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Mi querida cofradía (2018) Sound Designer |
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The Girl from the Song (2017) Sound Re-Recording Mixer |
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Summer Camp (2016) Sound Effects Editor |
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Atrapa la bandera (2015) Sound Editor |
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Out of the Dark (2014) Sound Effects Editor |