Edmonton, Alberta, Canada:
Erin Weisgerber is a Montreal-based filmmaker originally from Edmonton, Alberta. Photo-chemical filmmaking is at the core of Erin's practice. She produces poetic single-channel films that hover between figuration and abstraction employing techniques such as in-camera manipulations, hand-processing, and re-photography. More recently she has begun working with film-based installation and performance, incorporating her interests in music, sound art, and electronics. She is excited by the idea of artists' cinema as a scavenger art feeding off the refuse of the film industry. She is equally inspired by Montreal's DIY, underground arts movements and the emergence of an international network of artist-run film labs. Along with creating her own works, Erin contributes to documentary and narrative films as a cinematographer.Erin is a member of the Double Negative Collective, a group of moving-image artists dedicated to the creation and exhibition of experimental and avant-garde cinema and who maintain an artist-run film lab. Her films have played in Canada, France, Italy, Britain, the United States, Iceland and Lebanon.
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Partition (2024) Cinematography |
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Istashraktak (2022) Director |
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Dans les Cieux et Sur la Terre (2022) Director |
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Ste. Anne (2021) Director of Photography |
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From Which Even the Memory of the Darkness Has Vanished (2019) Director |
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Quand l'amour se creuse un trou (2018) Lighting Production Assistant |
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Traces (2014) Director |
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Misleading Innocence (Tracing What a Bridge Can Do) (2014) Director of Photography |
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L’un ne va pas sans l’autre (2013) Director of Photography |
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L'un sans l'autre (2013) Director of Photography |
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Tous les papillons n'ont pas le coeur sur la main (2012) Director |
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Tous les papillons n'ont pas le coeur sur la main (2012) Editor |
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The Sound of Breathing (2012) Director |
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Mers noires () Director |