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Murray Cutter


Murray Cutter

Birthday:

03/15/1902

Place of birth:

Nice, Alpes-Maritimes, France:

Biography:

From Wikipedia, the free encyclopedia Murray Cutter (15 March 1902, Nice, France – 19 April 1983, Burbank, California) was a versatile Hollywood orchestrator, working mainly for film composer Max Steiner, with over 150 credits spanning the mid-thirties to early 1960s. Nevertheless, he remains relatively unknown except for the much-loved original arrangement of Judy Garland's Over the Rainbow, which continues to be sampled by modern filmmakers. Similar to fellow arranger Alexander Courage, Cutter's name has tended to be overshadowed by the popularity of the composers with whom he was most associated. Cutter was unusual among orchestrators who tended to specialize, in that he was adept in all genres: musicals (New Moon, Kismet, The Desert Song); romantic drama (Waterloo Bridge, A Summer Place); adventure (Northwest Passage, The Caine Mutiny); family/comedy (National Velvet, Sugarfoot); suspense (The Picture of Dorian Gray, Key Largo); epics ("Helen of Troy"); and westerns (The Treasure of Sierra Madre, Johnny Belinda and The Searchers). An early assignment were the vocal arrangements for the 1937 film version of Rosalie, which ten years before had been orchestrated for Broadway by Steiner. At MGM Cutter worked for Arthur Freed and Mervyn LeRoy on The Wizard of Oz. Under the loose musical direction of Herbert Stothart he contributed the "metallic sound" for the Tin Woodman's If I Only Had a Heart. Cutter told Oz historian Aljean Harmetz for "Over the Rainbow" he made it sound as pretty as he could with lots of strings and a touch of woodwind. After the war he collaborated most closely with Steiner during his golden period with Warner Brothers. Their work on A Summer Place netted them a US #1 hit for the insistent theme song. Joining ASCAP in 1946, Cutter occasionally wrote original music for the screen but rarely received a credit. His last credit, along with Steiner, was for Disney's forgettable Those Calloways in 1965. No known Broadway credits are recorded for him.



Credits

Two on a Guillotine (1965)
Orchestrator
Youngblood Hawke (1964)
Orchestrator
Rome Adventure (1962)
Orchestrator
A Majority of One (1961)
Orchestrator
Susan Slade (1961)
Orchestrator
Parrish (1961)
Orchestrator
The FBI Story (1959)
Orchestrator
John Paul Jones (1959)
Orchestrator
The Hanging Tree (1959)
Orchestrator
Escapade in Japan (1957)
Orchestrator
The Searchers (1956)
Orchestrator
Illegal (1955)
Orchestrator
The Violent Men (1955)
Orchestrator
The Caine Mutiny (1954)
Orchestrator
The Iron Mistress (1952)
Orchestrator
Springfield Rifle (1952)
Orchestrator
Mara Maru (1952)
Orchestrator
Room for One More (1952)
Orchestrator
Distant Drums (1951)
Orchestrator
Jim Thorpe – All-American (1951)
Orchestrator
Lightning Strikes Twice (1951)
Orchestrator
Raton Pass (1951)
Orchestrator
Sugarfoot (1951)
Orchestrator
Rocky Mountain (1950)
Orchestrator
The Flame and the Arrow (1950)
Orchestrator
Caged (1950)
Orchestrator
White Heat (1949)
Orchestrator
Adventures of Don Juan (1948)
Orchestrator
Key Largo (1948)
Orchestrator
Silver River (1948)
Orchestrator
Winter Meeting (1948)
Orchestrator
The Treasure of the Sierra Madre (1948)
Orchestrator
Deep Valley (1947)
Music Arranger
The Unfaithful (1947)
Music Arranger
Love and Learn (1947)
Music Arranger
Pursued (1947)
Orchestrator
Shadow of a Woman (1946)
Orchestrator
Three Strangers (1946)
Orchestrator
Danger Signal (1945)
Orchestrator
The White Cliffs of Dover (1944)
Orchestrator
Ziegfeld Girl (1941)
Orchestrator
Come Live with Me (1941)
Orchestrator
Comrade X (1940)
Orchestrator
Babes in Arms (1939)
Orchestrator
The Wizard of Oz (1939)
Music Arranger
The Oklahoma Kid (1939)
Orchestrator
Too Hot to Handle (1938)
Orchestrator
The Captain's Pup (1938)
Orchestrator
Billy Rose's Casa Mañana Revue (1938)
Orchestrator
Mannequin (1938)
Orchestrator
Conquest (1937)
Orchestrator
Double Wedding (1937)
Orchestrator
The Women Men Marry (1937)
Orchestrator
Broadway Melody of 1938 (1937)
Music Arranger