07/21/1893
Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]:
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
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Chappaqua (1966) Camera Operator |
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Der Arzt Stellt Fest… (1966) Director of Photography |
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Trois chambres à Manhattan (1965) Director of Photography |
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La Grande Frousse (1964) Director of Photography |
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Lilith (1964) Director of Photography |
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Les Vierges (1963) Director of Photography |
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Captain Sindbad (1963) Cinematography |
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Something Wild (1961) Director of Photography |
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The Hustler (1961) Director of Photography |
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Les Yeux sans visage (1960) Director of Photography |
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Un couple (1960) Director of Photography |
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The Bloody Brood (1959) Director of Photography |
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La Tête contre les murs (1959) Director of Photography |
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La Première Nuit (1958) Director of Photography |
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Una parigina a Roma (1954) Director of Photography |
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Ulisse (1954) Special Effects |
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Die Venus vom Tivoli (1953) Director of Photography |
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Mina de Vanghel (1953) Director of Photography |
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Le Rideau cramoisi (1953) Director of Photography |
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La P..... respectueuse (1952) Director of Photography |
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Gunman in the Streets (1950) Director of Photography |
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Women in the Night (1948) Director of Photography |
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Women in the Night (1948) Art Direction |
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Women in the Night (1948) Set Decoration |
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The Strange Woman (1946) Producer |
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The Dark Mirror (1946) Visual Effects |
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A Scandal in Paris (1946) Director of Photography |
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A Scandal in Paris (1946) Production Supervisor |
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Club Havana (1945) Director of Photography |
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Bluebeard (1944) Director of Photography |
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Bluebeard (1944) Production Design |
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Summer Storm (1944) Director of Photography |
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It Happened Tomorrow (1944) Technical Supervisor |
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Voice in the Wind (1944) Technical Advisor |
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Hitler's Madman (1943) Director of Photography |
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Sans lendemain (1940) Director of Photography |
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L'Émigrante (1940) Director of Photography |
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María de la O (1939) Director of Photography |
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Le Drame de Shanghaï (1938) Director of Photography |
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Le quai des brumes (1938) Director of Photography |
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Mollenard (1938) Director of Photography |
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Forfaiture (1937) Director of Photography |
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Drôle de drame (1937) Director of Photography |
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Yoshiwara (1937) Director of Photography |
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Mademoiselle Docteur (1937) Director of Photography |
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Komedie om Geld (1936) Director of Photography |
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La Tendre Ennemie (1936) Director of Photography |
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The Invader (1936) Director of Photography |
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La crise est finie (1934) Director of Photography |
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Le Scandale (1934) Director of Photography |
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Du haut en bas (1933) Director of Photography |
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Unsichtbare Gegner (1933) Director of Photography |
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Les requins du pétrole (1933) Director of Photography |
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Die Herrin von Atlantis (1932) Director of Photography |
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L'Atlantide (1932) Director of Photography |
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Ins Blaue hinein (1931) Director |
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Dann schon lieber Lebertran (1931) Director of Photography |
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Das Ekel (1931) Director of Photography |
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Das Ekel (1931) Director |
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Les quatre vagabonds (1931) Cinematography |
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Gassenhauer (1931) Director of Photography |
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Das gestohlene Gesicht (1930) Director of Photography |
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Abschied (1930) Director of Photography |
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Menschen am Sonntag (1930) Director of Photography |
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Jagd auf dich (1929) Director of Photography |
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Napoléon (1927) Visual Effects Supervisor |
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Napoléon (1927) Special Effects |
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Metropolis (1927) Visual Effects |
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Manon Lescaut (1926) Additional Photography |