02/10/1909
Paris, France:
Henri Alekan (10 February 1909, Paris – 15 June 2001, Auxerre, Bourgogne) was a French cinematographer. Alekan was born in Montmartre in 1909. At the age of sixteen he and his brother became travelling puppeteers. A little later he started work as third assistant cameraman at the Billancourt Studios. He then spent a short time in the army, returning to Billancourt in 1931. In the late 1930s he was the camera operator to Eugene Shufftan on Marcel Carné's Quai des Brumes and Drôle de drame. He was greatly influenced by Schufftan's non-naturalistic style. His first success as a director of photography was René Clément's realistic war drama La Bataille du Rail of 1946. In the same year he worked on Jean Cocteau's fable La Belle et la Bête. He found himself out of sympathy with the French New Wave cinema which emerged in the late 1950s and Alekan shot some rather conventional films in Hollywood. A new generation of directors appreciated his visionary style, however, and he worked with Raúl Ruiz on The Territory and On Top of the Whale, with Joseph Losey on Figures in a Landscape and The Trout, and with Wim Wenders on The State Of Things and Wings of Desire. His last films were made with the Israeli director Amos Gitai. He wrote one of the best books about cinematography Des lumières et des ombres (1984, Éditions du Collectionneur). Alekan died from leukemia on 15 June 2001 in Auxerre, Bourgogne, aged 92. Source: Article "Henri Alekan" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Jean Cocteau, cinéaste (2001) as Self |
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Jean Cocteau, mensonges et vérités (1997) as Self |
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Projection au Majestic (1997) as Self - Interviewee |
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Le travail d'un cinéaste : Julien Duvivier, 1896-1967 (1996) as Self |
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Carné, vous avez dit Carné (1994) as Self |
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In weiter Ferne, so nah! (1993) as Captain |
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Der andere Blick (1991) as Self |
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Max Ophüls - Den schönen guten Waren (1990) as Self |
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Alekan, la lumière (1988) as Self |
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7 faux raccords (1984) as Self |
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Cinématon XXXIV (1984) as N°330 |
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Cinématon n°330 : Henri Alekan (1984) as Self |
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Notre Nazi (1984) as Self |
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Imbarco a mezzanotte (1952) as Priest on Bicycle |
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Golem, le jardin pétrifié (1993) Director of Photography |
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Golem, l'esprit de l'exil (1992) Director of Photography |
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PANT'O'JAZZ (1991) Director of Photography |
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Naissance d'un Golem (1990) Director of Photography |
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Cézanne – Dialogue avec Joachim Gasquet (1990) Director of Photography |
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J'écris dans l'espace (1989) Director of Photography |
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ברלין ירושלים (1989) Director of Photography |
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Der Himmel über Berlin (1987) Director of Photography |
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אסתר (1986) Director of Photography |
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A Strange Love Affair (1985) Director of Photography |
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Wundkanal (1984) Director of Photography |
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Notre Nazi (1984) Director of Photography |
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Une pierre dans la bouche (1983) Director of Photography |
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La Belle Captive (1983) Director of Photography |
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En rachâchant (1982) Director of Photography |
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La Truite (1982) Director of Photography |
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Der Stand der Dinge (1982) Director of Photography |
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Het dak van de Walvis (1982) Director of Photography |
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O Território (1981) Director of Photography |
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La Dame de Monte-Carlo (1979) Cinematography |
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Les divisions de la nature : Quatre regards sur le château de Chambord (1978) Director of Photography |
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La pupa del gangster (1975) Director of Photography |
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Soleil Rouge (1971) Director of Photography |
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Figures in a Landscape (1970) Director of Photography |
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Fun and Games for Everyone (1969) Director of Photography |
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L'Arbre de Noël (1969) Director of Photography |
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Ici et maintenant (1969) Director of Photography |
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Mayerling (1968) Director of Photography |
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Triple Cross (1966) Director of Photography |
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The Poppy Is Also a Flower (1966) Director of Photography |
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Lady L (1965) Director of Photography |
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Topkapi (1964) Director of Photography |
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Le Récit de Rebecca (1964) Director of Photography |
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El otro Cristóbal (1963) Director of Photography |
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Le Couteau dans la plaie (1962) Director of Photography |
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1-2-3-4 ou Les Collants noirs (1961) Director of Photography |
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Austerlitz (1960) Director of Photography |
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Le Secret du chevalier d'Éon (1959) Director of Photography |
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12 heures d'horloge (1959) Director of Photography |
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L'enfer de Rodin (1959) Director |
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L'enfer de Rodin (1959) Director of Photography |
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Cerf-volant du bout du monde (1958) Director of Photography |
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Le Bourgeois gentilhomme (1958) Director of Photography |
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Casino de Paris (1957) Director of Photography |
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Le Cas du docteur Laurent (1957) Director of Photography |
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Typhon sur Nagasaki (1957) Director of Photography |
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La Meilleure Part (1955) Director of Photography |
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Les héros sont fatigués (1955) Camera Operator |
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Frou-Frou (1955) Director of Photography |
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La Reine Margot (1954) Director of Photography |
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Les impures (1954) Director of Photography |
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Roman Holiday (1953) Director of Photography |
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Quand tu liras cette lettre (1953) Director of Photography |
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Julietta (1953) Director of Photography |
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Le Fruit défendu (1952) Director of Photography |
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Trois femmes (1952) Director of Photography |
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Imbarco a mezzanotte (1952) Director of Photography |
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Parigi è sempre Parigi (1951) Director of Photography |
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Le Voyage en Amérique (1951) Director of Photography |
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Juliette ou La Clef des songes (1951) Director of Photography |
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Ma pomme (1950) Director of Photography |
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La Marie du port (1950) Director of Photography |
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Les Amants de Vérone (1949) Director of Photography |
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Une si jolie petite plage (1949) Director of Photography |
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Anna Karenina (1948) Director of Photography |
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Le Diable souffle (1947) Director of Photography |
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Les Maudits (1947) Director of Photography |
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La Belle et la Bête (1946) Director of Photography |
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La Bataille du rail (1946) Director of Photography |
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Les Petites du quai aux fleurs (1944) Director of Photography |
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Les Chevaux du Vercors (1943) Camera Operator |
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Ceux du rail (1943) Director of Photography |
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Vénus aveugle (1941) Director of Photography |
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Les Musiciens du ciel (1940) Cinematography |
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Le Drame de Shanghaï (1938) Assistant Camera |
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Le quai des brumes (1938) Camera Operator |
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Mollenard (1938) Camera Operator |
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La Danseuse rouge (1937) Director of Photography |
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Mademoiselle Docteur (1937) Assistant Camera |
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La vie est à nous (1936) Director of Photography |
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Fanny (1932) Assistant Camera |