08/17/1909
Rome, Italy:
Largely misunderstood, at best considered a little master of an Italian cinema in full revival after the war thanks to neo-realism, Raffaello Matarazzo is nevertheless the author of some sumptuous melodramas whose success was spectacular in post-fascist Italy. Matarazzo started writing film reviews for the Roman newspaper Il Tevere before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With Catene, produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were Neorealismo d'appendice. Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine Positif loved his erotic-historical peplum The Ship of Lost Women.
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Treno Popolare (1933) as The Director of the Band (uncredited) |
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Amore mio (1964) Director |
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Amore mio (1964) Story |
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Amore mio (1964) Screenplay |
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Amore mio (1964) Producer |
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Adultero lui, adultera lei (1963) Director |
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Adultero lui, adultera lei (1963) Story |
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Adultero lui, adultera lei (1963) Screenplay |
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I terribili sette (1963) Director |
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I terribili sette (1963) Screenplay |
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Cerasella (1959) Director |
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Cerasella (1959) Screenplay |
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Malinconico autunno (1958) Director |
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L'ultima violenza (1957) Director |
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L'ultima violenza (1957) Story |
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L'ultima violenza (1957) Producer |
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La risaia (1956) Director |
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L'intrusa (1955) Director |
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L'intrusa (1955) Screenplay |
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L'angelo bianco (1955) Director |
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L'angelo bianco (1955) Story |
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L'angelo bianco (1955) Producer |
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Buonanotte... avvocato! (1955) Story |
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Guai ai vinti (1954) Director |
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Guai ai vinti (1954) Screenplay |
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La schiava del peccato (1954) Director |
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Torna! (1954) Director |
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Torna! (1954) Producer |
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Giuseppe Verdi (1953) Director |
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Giuseppe Verdi (1953) Screenplay |
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La nave delle donne maledette (1953) Director |
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La nave delle donne maledette (1953) Writer |
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Vortice (1953) Director |
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Vortice (1953) Producer |
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Vortice (1953) Story |
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Vortice (1953) Screenplay |
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Chi è senza peccato.... (1952) Director |
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Il tenente Giorgio (1952) Director |
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I figli di nessuno (1951) Director |
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I figli di nessuno (1951) Producer |
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Dora la espía (1950) Director |
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Dora la espía (1950) Writer |
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Paolo e Francesca (1950) Director |
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Paolo e Francesca (1950) Screenplay |
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Tormento (1950) Director |
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Tormento (1950) Producer |
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Catene (1949) Director |
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Catene (1949) Producer |
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La fumeria d’oppio (1947) Director |
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La fumeria d’oppio (1947) Screenplay |
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Lo sciopero dei milioni (1947) Director |
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Empezó en boda (1944) Director |
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Empezó en boda (1944) Story |
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Empezó en boda (1944) Screenplay |
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Il birichino di papà (1943) Director |
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Il birichino di papà (1943) Writer |
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Giorno di nozze (1942) Director |
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L'avventuriera del piano di sopra (1941) Director |
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L'avventuriera del piano di sopra (1941) Story |
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L'avventuriera del piano di sopra (1941) Screenplay |
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L'imprevisto (1940) Writer |
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L'imprevisto (1940) Screenplay |
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Giù il sipario (1940) Director |
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Giù il sipario (1940) Writer |
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Giù il sipario (1940) Editor |
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Trappola d'amore (1940) Director |
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Trappola d'amore (1940) Screenplay |
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L'Albergo Degli Assenti (1939) Director |
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L'Albergo Degli Assenti (1939) Screenplay |
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Sono stato io! (1937) Director |
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Sono stato io! (1937) Screenplay |
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Joe il Rosso (1936) Director |
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L'anonima Roylott (1936) Editor |
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L'anonima Roylott (1936) Director |
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Il serpente a sonagli (1935) Director |
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Il serpente a sonagli (1935) Writer |
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Treno Popolare (1933) Director |
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Treno Popolare (1933) Story |
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Treno Popolare (1933) Screenplay |
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Littoria (1933) Director |
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La Voce Lontana (1933) Screenplay |
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Sabaudia (1933) Director |
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Mussolinia di Sardegna (1933) Director |
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Due cuori felici (1932) Screenplay |