02/26/1924
Rome, Italy:
Paolo Heusch (26 February 1924 – 16 October 1982) was an Italian film director and screenwriter. Born in Rome, Heush started his career immediately after the World War II as a script supervisor. Between 1949 and 1957 he was active as an assistant director for over twenty films. After directing a number of documentaries, he made his feature film debut in 1958 with The Day the Sky Exploded, the first science fiction film produced in Italy. His third film as a director was Werewolf in a Girls' Dormitory. He was then asked to co-direct Violent Life. based on Pier Paolo Pasolini's novel of the same name. He was hired by producer Moris Ergas to direct the film with Brunello Rondi as the produced wanted a technically gifted director to help the screenwriter direct his first film. Heusch was often brought on to co-direct films, and works that were credited to other filmmakers, such as The Commandant, Che fine ha fatto Toto baby? which is only credited to Ottavio Alessi and Toto d'Arabia which is credited to Jose Antonio de la Loma. Heusch continued to work in other genres including heist films, adventures, and erotic dramas in the 1960s. Heusch's last uncredited work was shooting some extra scenes for Massimo Dallamano's Venus in Furs for its 1975 re-release.
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Caligola (1979) Casting Director |
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Pulcinella - Ieri e oggi (1973) Director |
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Incontro d'amore (1970) Director |
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El ''Che'' Guevara (1968) Director |
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Un colpo da mille miliardi (1966) Director |
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Una ráfaga de plomo (1965) Director |
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Il comandante (1963) Director |
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Una vita violenta (1962) Director |
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Una vita violenta (1962) Screenplay |
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Lycanthropus (1961) Director |
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Un uomo facile (1959) Director |
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La morte viene dallo spazio (1958) Director |
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Vacanze a Ischia (1957) First Assistant Director |
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Il momento più bello (1957) First Assistant Director |
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Racconti romani (1955) First Assistant Director |
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Il padrone sono me (1955) First Assistant Director |
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Le signorine dello 04 (1955) First Assistant Director |
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Le due orfanelle (1954) First Assistant Director |
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Appassionatamente (1954) First Assistant Director |
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Un giorno in pretura (1954) Second Assistant Director |
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Ti ho sempre amato! (1953) First Assistant Director |
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Siamo tutti inquilini (1953) Second Assistant Director |
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Perdonami! (1953) First Assistant Director |
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Gli eroi della domenica (1952) First Assistant Director |
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Anna (1951) First Assistant Director |
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Il microfono è vostro (1951) First Assistant Director |
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Il voto (1950) First Assistant Director |
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Cuori senza frontiere (1950) Script Supervisor |
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L'imperatore di Capri (1949) First Assistant Director |
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Vespro siciliano (1949) First Assistant Director |
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Il mulino del Po (1949) Script Supervisor |
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Campane a martello (1949) Script Supervisor |
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Sotto il sole di Roma (1948) Script Supervisor |
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Fuga in Francia (1948) Script Supervisor |