01/01/1979
Ayoung Kim synthesizes the outcome of far-reaching speculation, establishing connections between biopolitics and border control, the memory of stone and virtual memory, ancestral origins and imminent futures. These narratives take the forms of video, VR, sonic fiction, image, diagram and text, and are exposed as exhibitions, performances, theatrical projects and publications. Kim idiosyncratically synthesizes geopolitics, mythology, technology, and futuristic iconography, and retroactively collects the speculative time to infiltrate the present. Her interest in synthesis, hybridization, and the coexistence of heterogeneous time led to an interest in all kinds of intersections, transfers, transpositions, and interchanges of time, space, structure, and syntax.
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Delivery Dancer's Arc: 0° Receiver (2024) Director |
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딜리버리 댄서의 구 (2023) Director |
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수리솔 수중 연구소에서 (2020) Director |
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페트로제네시스, 페트라 제네트릭스 (2019) Director |
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다공성 계곡 2: 트릭스터 플롯 (2019) Director |
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다공성 계곡, 이동식 구멍들 (2017) Director |