Artist-researcher and filmmaker. Her work combines interdisciplinary research with the production of essay films, video installations, and performances that explore new modes of subjectivation generated by computational digital capitalism. Her projects have been presented at DOK Leipzig, Cinéma du Réel, IndieLisboa, Transmediale, and the Salon de Montrouge, among others. She is a PhD candidate at the University Paris 8, where she is developing a research-creation project on screen capture and has taught for three years. She has also been an Associate Professor at Gustave Eiffel University and a visiting researcher at the Konrad Wolf Film University of Babelsberg. In 2023–2024, she is an artist-in-residence at the French Academy in Spain – Casa de Velázquez.
|
+10k (2025) as |
|
La mécanique des fluides (2022) as (voice) |
|
like moths to light (2026) Director |
|
|
like moths to light (2026) Producer |
|
|
+10k (2025) Director |
|
|
+10k (2025) Screenplay |
|
|
+10k (2025) Producer |
|
|
+10k (2025) Editor |
|
For Here Am I Sitting in a Tin Can Far Above the World (2024) Director |
|
|
For Here Am I Sitting in a Tin Can Far Above the World (2024) Writer |
|
|
For Here Am I Sitting in a Tin Can Far Above the World (2024) Editor |
|
|
For Here Am I Sitting in a Tin Can Far Above the World (2024) Producer |
|
|
La mécanique des fluides (2022) Director |
|
|
La mécanique des fluides (2022) Editor |
|
|
La mécanique des fluides (2022) Writer |
|
Thank You So Much (2016) Director |
|
Naturaleza Muerta (2016) Writer |
|
|
Naturaleza Muerta (2016) Director |