05/29/1894
Vienna, Austria:
Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
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No Angel: A Life of Marlene Dietrich (1996) as |
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The Epic That Never Was (1969) as Self - Interviewee |
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Josef von Sternberg, een retrospektieve (1969) as Interviewee |
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Josef von Sternberg Interview (1968) as Self |
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D'un silence l'autre - Josef von Sternberg (1967) as Self |
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The World of Josef von Sternberg (1967) as Self |
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アナタハン (1953) as Narrator (voice) (uncredited) |
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1925 Studio Tour (1925) as Self |
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A Girl's Folly (1917) as Cameraman (uncredited) |
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Jet Pilot (1957) Director |
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アナタハン (1953) Director |
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アナタハン (1953) Director of Photography |
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アナタハン (1953) Screenplay |
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アナタハン (1953) Executive Producer |
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Macao (1952) Director |
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Duel in the Sun (1946) Co-Director |
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The Town (1944) Director |
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The Shanghai Gesture (1941) Director |
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The Shanghai Gesture (1941) Adaptation |
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The Shanghai Gesture (1941) Writer |
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I Take This Woman (1940) Co-Director |
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Sergeant Madden (1939) Director |
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The Great Waltz (1938) Co-Director |
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I, Claudius (1937) Director |
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The King Steps Out (1936) Director |
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Crime and Punishment (1935) Director |
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The Fashion Side of Hollywood (1935) Director |
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The Devil Is a Woman (1935) Director |
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The Devil Is a Woman (1935) Director of Photography |
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The Devil Is a Woman (1935) Producer |
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The Devil Is a Woman (1935) Art Direction |
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The Scarlet Empress (1934) Director |
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The Scarlet Empress (1934) Producer |
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The Scarlet Empress (1934) Editor |
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The Scarlet Empress (1934) Art Direction |
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Blonde Venus (1932) Director |
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Blonde Venus (1932) Producer |
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Blonde Venus (1932) Editor |
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Blonde Venus (1932) Writer |
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Shanghai Express (1932) Director |
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An American Tragedy (1931) Director |
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An American Tragedy (1931) Writer |
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An American Tragedy (1931) Producer |
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Dishonored (1931) Director |
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Dishonored (1931) Writer |
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Dishonored (1931) Editor |
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Dishonored (1931) Additional Music |
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Dishonored (1931) Music |
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Marlene Dietrich, “Der Blaue Engel” Screen Test (1930) Director |
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Morocco (1930) Director |
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Der blaue Engel (1930) Director |
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Der blaue Engel (1930) Writer |
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Thunderbolt (1929) Director |
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The Case of Lena Smith (1929) Director |
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The Docks of New York (1928) Director |
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The Docks of New York (1928) Producer |
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The Street of Sin (1928) Story |
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The Drag Net (1928) Director |
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The Last Command (1928) Director |
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The Last Command (1928) Story |
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Underworld (1927) Director |
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Children of Divorce (1927) Co-Director |
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The Exquisite Sinner (1926) Director |
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The Exquisite Sinner (1926) Writer |
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A Woman of the Sea (1926) Director |
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A Woman of the Sea (1926) Writer |
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The Masked Bride (1925) Director |
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The Salvation Hunters (1925) Director |
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The Salvation Hunters (1925) Screenplay |
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The Salvation Hunters (1925) Editor |
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The Salvation Hunters (1925) Producer |
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By Divine Right (1924) Scenario Writer |
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By Divine Right (1924) Assistant Director |
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The Bohemian Girl (1922) Assistant Director |
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The Highest Bidder (1921) Assistant Director |
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The Mystery of the Yellow Room (1919) Assistant Director |