02/17/1923
Manshu, Korea:
Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.
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Godzilla, King of the Monsters (1998) as |
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Attack of the Galactic Monsters (1983) Director |
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惑星大戦争 (1977) Director |
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飛天怪鷲 (1977) First Assistant Director |
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エスパイ (1974) Director |
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喜劇 だましの仁義 (1974) Director |
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喜劇 だましの仁義 (1974) Screenplay |
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ゴジラ対メカゴジラ (1974) Director |
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ゴジラ対メカゴジラ (1974) Screenplay |
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ゴジラ対メカゴジラ (1974) Lyricist |
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ゴジラ対メガロ (1973) Director |
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ゴジラ対メガロ (1973) Screenplay |
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狼の紋章 (1973) Writer |
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地球攻撃命令 ゴジラ対ガイガン (1972) Director |
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地球攻撃命令 ゴジラ対ガイガン (1972) Lyricist |
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西のペテン師 東のサギ師 (1971) Director |
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3000キロの罠 (1971) Director |
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ソレが男の生きる道 (1970) Director |
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ソレが男の生きる道 (1970) Producer |
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野獣都市 (1970) Director |
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野獣都市 (1970) Producer |
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コント55号 宇宙大冒険 (1969) Director |
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大日本スリ集団 (1969) Director |
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コント55号 俺は忍者の孫の孫 (1969) Director |
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コント55号 人類の大弱点 (1969) Director |
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ニュージーランドの若大将 (1969) Director |
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フレッシュマン若大将 (1969) Director |
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100発100中 黄金の眼 (1968) Director |
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100発100中 黄金の眼 (1968) Writer |
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怪獣島の決戦 ゴジラの息子 (1967) Director |
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ゴジラ・エビラ・モスラ 南海の大決闘 (1966) Director |
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怒涛一万浬 (1966) Director |
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怒涛一万浬 (1966) Writer |
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100発100中 (1965) Director |
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香港の白い薔薇 (1965) Director |
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暗黒街全滅作戦 (1965) Director |
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暗黒街全滅作戦 (1965) Writer |
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血とダイヤモンド (1964) Director |
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国際秘密警察 虎の牙 (1964) Director |
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のら犬作戦 (1963) Director |
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ハワイの若大将 (1963) Director |
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にっぽん実話時代 (1963) Director |
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暗黒街の牙 (1962) Director |
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暗黒街の牙 (1962) Writer |
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日本一の若大将 (1962) Director |
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女性自身 (1962) Director |
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女性自身 (1962) Screenplay |
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吼えろ脱獄囚 (1962) Director |
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暗黒街撃滅命令 (1961) Director |
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守屋浩の三度笠シリーズ 有難や三度笠 (1961) Director |
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守屋浩の三度笠シリーズ 泣きとうござんす (1961) Director |
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情無用の罠 (1961) Director |
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電送人間 (1960) Director |
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恐るべき火遊び (1959) Director |
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花の慕情 (1958) Assistant Director |
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Rodan! The Flying Monster (1957) First Assistant Director |
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空の大怪獸 ラドン (1956) First Assistant Director |
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宮本武蔵完結編 決闘巌流島 (1956) Assistant Director |
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続宮本武蔵 一乗寺の決闘 (1955) Assistant Director |
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宮本武蔵 (1954) Assistant Director |
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赤線基地 (1953) Assistant Director |
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港へ来た男 (1952) Assistant Director |