10/30/1930
Barcelona, Barcelona, Catalonia, Spain:
Néstor Almendros Cuyás (30 October 1930 – 4 March 1992) was a Spanish cinematographer. One of the most highly appraised contemporary cinematographers, "Almendros was an artist of deep integrity, who believed the most beautiful light was natural light...he will always be remembered as a cinematographer of absolute truth...a true master of light". Néstor Almendros Cuyás was born in Barcelona, Spain, but at 18 moved to Cuba to join his exiled anti-Francisco Franco father. In Havana, he wrote film reviews. Then he went on to study in Rome at the Centro Sperimentale di Cinematografia. He directed six shorts in Cuba and two in New York City. After the 1959 Cuban Revolution, he returned and made several documentaries for the Castro regime. But after two of his shorts (Gente en la playa and La tumba francesa) were banned, he moved to Paris. Starting in 1964, he became the favorite collaborator of French New Wave director Éric Rohmer. In the early seventies he also started working with François Truffaut, Barbet Schroeder and other directors. Almendros began his Hollywood career with Days of Heaven (1978), written and directed by Terrence Malick, who admired Almendros' work on The Wild Child (1970). Almendros was impressed by Malick's knowledge of photography and his willingness to use little studio lighting. The film's cinematography was modeled after silent films, which often used natural light. In 1979, Almendros won the Academy Award for Best Cinematography for Days of Heaven. Almendros received three further Academy Award nominations for his work on Kramer vs. Kramer (1979), The Blue Lagoon (1980) and Sophie's Choice (1982), making him the most nominated Spanish person in Academy history as of the 93rd Academy Awards in 2021. Almendros was the cinematographer for the John Lennon documentary, Imagine: John Lennon (1988), directed by Andrew Solt. In his later years, Almendros co-directed two documentaries about the human rights situation in Cuba: Mauvaise Conduite (1984) (Improper Conduct) about the persecution of gay people in Cuba; and Nadie escuchaba (Nobody Was Listening), about the alleged arrest, imprisonment and torture of former comrades of Fidel Castro. He also shot several prestigious advertisements for Giorgio Armani (directed by Martin Scorsese), Calvin Klein (directed by Richard Avedon) and Freixenet. Human Rights Watch International has named an award after him by establishing the Nestor Almendros Award for Courage in Filmmaking and it is given every year at the Human Rights Watch International Film Festival. In 1980, Almendros won the César Award for François Truffaut's The Last Metro. In 1992, Néstor Almendros died of AIDS-related lymphoma in New York City at the age of 61. Source: Article "Néstor Almendros" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Working with François Truffaut: Nestor Almendros, Director of Photography (2009) as Self |
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Visions of Light (1992) as Self |
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映画の都 (1991) as Self |
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Alekan, la lumière (1988) as Self |
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La Chambre verte (1978) as |
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En répétant Perceval (1978) as |
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La Collectionneuse (1967) as |
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Billy Bathgate (1991) Director of Photography |
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Made in Milan (1990) Director of Photography |
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New York Stories (1989) Director of Photography |
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Nadine (1987) Director of Photography |
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Nadie escuchaba (1987) Director |
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Heartburn (1986) Director of Photography |
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Places in the Heart (1984) Director of Photography |
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Mauvaise Conduite (1984) Director |
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Mauvaise Conduite (1984) Writer |
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Vivement dimanche ! (1983) Director of Photography |
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Pauline à la plage (1983) Director of Photography |
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Sophie's Choice (1982) Director of Photography |
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Still of the Night (1982) Director of Photography |
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Le Dernier Métro (1980) Director of Photography |
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The Blue Lagoon (1980) Director of Photography |
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Kramer vs. Kramer (1979) Director of Photography |
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L'Amour en fuite (1979) Director of Photography |
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Le Beau Mec (1979) Director of Photography |
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Koko, le gorille qui parle (1978) Director of Photography |
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Perceval le Gallois (1978) Director of Photography |
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Goin' South (1978) Director of Photography |
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Days of Heaven (1978) Director of Photography |
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La Chambre verte (1978) Director of Photography |
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La Vie devant soi (1977) Director of Photography |
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L'Homme qui aimait les femmes (1977) Director of Photography |
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L'Homme qui aimait les femmes (1977) Camera Operator |
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Cambio de sexo (1977) Director of Photography |
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Des journées entières dans les arbres (1977) Director of Photography |
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Die Marquise von O... (1976) Director of Photography |
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Maîtresse (1976) Director of Photography |
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L'Histoire d'Adèle H. (1975) Director of Photography |
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Mes petites amoureuses (1974) Director of Photography |
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Cockfighter (1974) Director of Photography |
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Général Idi Amin Dada: Autoportrait (1974) Director of Photography |
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La Gueule ouverte (1974) Director of Photography |
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L'Amour l'après-midi (1972) Director of Photography |
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La Vallée (1972) Director of Photography |
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Les Deux Anglaises et le Continent (1971) Director of Photography |
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Le cochon aux patates douces (1971) Director of Photography |
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Maquillages (1971) Director of Photography |
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Sing Sing (1971) Director of Photography |
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Le Genou de Claire (1970) Director of Photography |
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Domicile conjugal (1970) Director of Photography |
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L'Enfant sauvage (1970) Director of Photography |
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More (1969) Director of Photography |
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More (1969) Art Direction |
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Ma nuit chez Maud (1969) Director of Photography |
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The Gun Runner (1969) Director of Photography |
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Retour d'Henri Langlois à Paris (1968) Camera Operator |
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The Wild Racers (1968) Director of Photography |
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Fermière à Montfaucon (1968) Director of Photography |
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La Collectionneuse (1967) Director of Photography |
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Le Père Noël a les yeux bleus (1966) Assistant Camera |
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Une étudiante d'aujourd'hui (1966) Director of Photography |
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Place de l'Étoile (1965) Director of Photography |
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Paris vu par… (1965) Assistant Director |
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Paris vu par… (1965) Director of Photography |
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Saint-Germain-des-Prés (1965) Director of Photography |
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Nadja à Paris (1964) Director of Photography |
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Asamblea general (1960) Director of Photography |
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Gente en la playa (1960) Director |
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El Tomate (1959) Director of Photography |
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Cooperativas Agropecuarias (1959) Director of Photography |
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Una Confusión Cotidiana (1950) Director |
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Una Confusión Cotidiana (1950) Director of Photography |