01/03/1920
Rueil-Malmaison, Seine-et-Oise [now Hauts-de-Seine], France:
Pierre Camille Petit belongs to that generation of film craftsmen for whom the image was not merely a profession, but a way of inhabiting the world. Born in Seine‑et‑Marne, he entered the film industry just after the war and, from 1947 onward, signed the photography of his first features. It was only the beginning of a dense career: nearly forty years spent shaping light, composing atmospheres, and giving each setting its own breath. He thus traversed an entire chapter of popular French cinema, working with Ralph Habib, Maurice Labro, Christian‑Jaque, and Michel Audiard. His signature can be found in films as varied as Le Masque de fer, Le Repas des fauves, Fifi la plume, Le Cri du cormoran, or Une veuve en or. His abundant filmography reveals a remarkable ability to adapt: comedies, dramas, adventure films, international co‑productions — he illuminated them all with the same rigor. On television, he also accompanied the rise of French serials, from Sylvie des trois ormes to Schulmeister, l’espion de l’empereur, where his sense of framing and light helped give these popular stories a strong visual identity. His final contribution, in 1985, was a documentary devoted to Marcel Carné — a kind of nod to the history of cinema he had served all his life. Pierre Petit died in 1997, leaving behind a discreet but essential body of work: that of a man who, film after film, shaped the visual memory of an era.
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Mammifères marins, les maîtres des abysses (2018) Camera Operator |
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L'Agenda des Cataclysmes (2018) Cinematography |
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Angkor redécouvert (2013) Aerial Camera |
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Introductions (1976) Cinematography |
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Au-delà de la peur (1975) Cinematography |
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La Brigade en folie (1973) Director of Photography |
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Le Cri du cormoran, le soir au-dessus des jonques (1971) Director of Photography |
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Le calde notti di Lady Hamilton (1968) Cinematography |
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Le Rapace (1968) Director of Photography |
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Deux billets pour Mexico (1967) Director of Photography |
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Le Saint prend l'affût (1966) Director of Photography |
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La Seconde Vérité (1966) Director of Photography |
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Mission spéciale à Caracas (1965) Director of Photography |
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The Dirty Game (1965) Director of Photography |
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Fifi la plume (1965) Director of Photography |
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Le Gentleman de Cocody (1965) Director of Photography |
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Le Repas des fauves (1964) Camera Operator |
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Coplan prend des risques (1964) Director of Photography |
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Mort, où est ta victoire ? (1964) Director of Photography |
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Les Femmes d'abord (1963) Director of Photography |
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Le Masque de fer (1962) Director of Photography |
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Arsène Lupin contre Arsène Lupin (1962) Director of Photography |
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La Gamberge (1962) Director of Photography |
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Les croulants se portent bien (1961) Director of Photography |
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Tout l'or du monde (1961) Director of Photography |
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Marie des Isles (1960) Director of Photography |
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Y'en a marre (1959) Director of Photography |
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La Nuit des traqués (1959) Director of Photography |
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Ça n'arrive qu'aux vivants (1959) Director of Photography |
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Le fauve est lâché (1959) Cinematography |
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Clara et les méchants (1958) Director of Photography |
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Le Triporteur (1957) Director of Photography |
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La Roue (1957) Director of Photography |
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Escapade (1957) Director of Photography |
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Jusqu'au dernier (1957) Director of Photography |
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Les Aristocrates (1955) Cinematography |
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Les Hommes en blanc (1955) Director of Photography |
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Le Fil à la patte (1954) Camera Department Manager |
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La contessa di Castiglione (1954) Director of Photography |
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Raspoutine (1954) Director of Photography |
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Les corsaires du Bois de Boulogne (1954) Cinematography |
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Koenigsmark (1953) Director of Photography |
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La Forêt de l'adieu (1952) Director of Photography |
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Le Crime du Bouif (1952) Director of Photography |
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La montagne est verte (1950) Director of Photography |
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Les gosses mènent l'enquête (1947) Director of Photography |